It will be noted that the dactyl is very closely related in expression to the trochee, and the anapest to the iambic. Triple rhythm or metre, however, implies a more circular and flowing movement. The dactyl is used in some of the most pathetic and passionate monologues of the language. Notice the fine use of it in Hood's "Bridge of Sighs." THE BRIDGE OF SIGHS One more unfortunate, weary of breath, rashly importunate, gone to her death! Take her up tenderly, lift her with care; fashion'd so slenderly, young, and so fair! Look at her garments clinging like cerements, whilst the wave constantly drips from her clothing; take her up instantly, loving, not loathing. Touch her not scornfully; think of her mournfully, gently and humanly; not of the stains of her--all that remains of her now, is pure womanly. Make no deep scrutiny into her mutiny rash and undutiful: past all dishonor, death has left on her only the beautiful. Still, for all slips of hers, one of Eve's family--wipe those poor lips of hers oozing so clammily. Loop up her tresses escaped from the comb, her fair auburn tresses; whilst wonderment guesses where was her home? Who was her father? Who was her mother? Had she a sister? Had she a brother? Or was there a dearer one still, and a nearer one yet, than all other? Alas! for the rarity of Christian charity under the sun! O! it was pitiful! near a whole city full, home she had none. Sisterly, brotherly, fatherly, motherly feelings had changed: love, by harsh evidence, thrown from its eminence; even God's providence seeming estranged. Where the lamps quiver so far in the river, with many a light, from window and casement, from garret to basement, she stood, with amazement, houseless by night. The bleak wind of March made her tremble and shiver; but not the dark arch, or the black, flowing river; mad from life's history, glad to death's mystery swift to be hurl'd--anywhere, anywhere out of the world! In she plunged boldly, no matter how coldly the rough river ran, over the brink of it,--picture it, think of it, dissolute Man! lave in it, drink of it, then, if you can! Take her up tenderly, lift her with care; fashion'd so slenderly, young and so fair! Ere her limbs frigidly stiffen too rigidly, decently, kindly, smooth and compose them; and her eyes close them, staring so blindly! Dreadfully staring through muddy impurity, as when with the daring last look of despairing fix'd on futurity. Perishing gloomily, spurr'd by contumely, cold inhumanity burning insanity into her rest.--Cross her hands humbly, as if praying dumbly, over her breast! Owning her weakness, her evil behavior, and leaving, with meekness, her sins to her Saviour!