Browning, Robert, 1812-1889 -- Characters -- Women
She does not reject his love, but will wholly accept it only on these
impossible terms. Herself dwells in some "magic hall" whence ray forth
shafts of coloured light--crimson, purple, yellow; and along these
shafts, which symbolise experience, her lover is to travel--coming back
to her at close of each wayfaring, for the rays end before her feet,
beneath her eyes and smile, as they began. He goes forth in obedience;
he comes back. Ever the issue is the same: he comes back smirched. And
she--forgives him, but not loves him.
"What means the sad slow silver smile above
My clay but pity, pardon?--at the best
But acquiescence that I take my rest,
Contented to be clay?"
She "smiles him slow forgiveness"--nothing more; he is dismissed, must
travel forth again. _This_ time he may return, untinged by the ray which
he is to traverse. She sends him, deliberately; he must break through
the quintessential whiteness that surrounds her--but he is to come back
unsmirched. So she pitilessly, for all her "pity," has decreed.
And patient, mute, obedient, always he has gone--until this day. This
day his patience fails him, and he speaks. Once more he had come
back--once more been "pardoned." But the pity was so gentle--like a
moon-beam. He had almost hoped the smile would pass the "pallid moonbeam
limit," be "transformed at last to sunlight and salvation." If she could
pass that goal and "gain love's birth," he scarce would know his clay
from gold's own self; "for gold means love." . . . But no; the "sad slow
silver smile" had meant, as ever, naught but pity, pardon, acquiescence
in his lesserness for _him_. _She_ acquiesced not; she keeps her love
for the "spirit-seven" before God's throne.[291:1]
He then made one supreme appeal for
"Love, the love sole and whole without alloy."
Vainly! Such an appeal "must be felt, not heard." Her calm regard was
unchanged--nay, rather it had grown harsh and hard, had seemed to imply
disdain, repulsion, and he could not face those things; he rose from his
kissing of her feet--he _did_ go forth again. This time he might return,
immaculate, from the path of that "lambent flamelet." . . . He knew he
could not, but--he _might_! She promises that he can: should he not
trust her?
* * * * *
And now, to-day, once more he is returned. Still she stands, still she
listens, still she smiles! But he protests at last:
"Surely I had your sanction when I faced,
Fared forth upon that untried yellow ray
Whence I retrack my steps?"
Public-domain text, read in full here on John Shaqi.
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