Browning, Robert, 1812-1889 -- Characters -- Women
"Then a mile of warm sea-scented beach;
Three fields to cross till a farm appears;
A tap at the pane, the quick sharp scratch
And blue spurt of a lighted match,
And a voice less loud, through its joys and fears,
Than the two hearts beating each to each!"
Yes--we can meet at night. . . . But we must part at morning.
"Round the cape of a sudden came the sea,
And the sun looked over the mountain's rim;
And straight was a path of gold for him,
And the need of a world of men for me."[205:1]
These are plainly not wedded lovers, though some commentators so
describe them; and indeed Browning sings but seldom of wedded love. When
he does so sing, he reaches heights of beauty beyond any in the other
lyrics, but the poems of marriage are not in our survey. In nearly all
his other love-poetry, it is the "trouble of love," in one form or
another, which occupies him--the lovers who meet to part; those who love
"in vain" (as the phrase goes, but never _his_ phrase); those who choose
separation rather than defiance of the "world, and what it fears"; those
who do defy that world, and reckon up their gains.
"Dear, had the world in its caprice
Deigned to proclaim 'I know you both,
Have recognised your plighted troth,
Am sponsor for you: live in peace!'--
How many precious months and years
Of youth had passed, that speed so fast,
Before we found it out at last,
The world, and what it fears?
How much of priceless life were spent
With men that every virtue decks,
And women models of their sex,
Society's true ornament--
Ere we dared wander, nights like this,
Thro' wind and rain, and watch the Seine,
And feel the Boulevard break again
To warmth and light and bliss?"
That old quarrel between the ideals of Bohemia and of "respectability"!
They could have done these things, even as a married pair, but the
trouble is that then they would not have "dared" to do them. "People
would have talked." . . . Well, people may talk now, but they _have_
gained something. They have gained freedom to live their lives as they
choose--rightly or wrongly, but at any rate it is not "the world" that
sways them. They have learnt how much that good word is worth! What is
happening, this very hour, in that environment--here, for instance, in
the Institute, which they are just passing? "Guizot receives
Montalembert!" The two men are utterly opposed in everything that truly
signifies to each; yet now are exchanging empty courtesies. See the
courtyard all alight for the reception! Let them escape from it all, and
leave respectability to its false standards. _They_ are not
included--they are outcasts: "put forward your best foot!"
Public-domain text, read in full here on John Shaqi.
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