England -- Social life and customs -- 19th century -- Fiction; Inheritance and succession -- Fiction
Meanwhile Sara went sweeping along the great wide fresh airy passages,
and through the hall, and up the grand stair-case. Her dress was of
silk, and rustled--not a vulgar rustle, like that which announces some
women offensively wherever they go, but a soft satiny silvery ripple of
sound, which harmonized her going like a low accompaniment. Young Powys
had only seen her for the first time that day, and he was a reasonable
young fellow, and had not a thought of love or love-making in his mind.
Love! as if any thing so preposterous could ever arise between this
young princess and a poor lawyer’s clerk, maintaining his mother and his
little sisters on sixty pounds a year. But yet, he was a young man, and
she was a girl; and following after her as he did, it was not in human
nature not to behold and note the fair creature, with her glistening
robes and her shining hair. Now and then, when she passed through a
patch of sunshine from one of the windows, she seemed to light up all
over, and reflect it back again, and send forth soft rays of responsive
light. Though she was so slender and slight, her step was as steady and
free as his own, Canadian and backwoodsman as he was; and yet, as she
moved, her pretty head swayed by times like the head of a tall lily upon
the breeze, not with weakness, but with the flexile grace that belonged
to her nature. Powys saw all this, and it bewitched him, though she was
altogether out of his sphere. Something in the atmosphere about her went
to his head. It was the most delicate intoxication that ever man felt,
and yet it was intoxication in a way. He went up stairs after her,
feeling like a man in a dream, not knowing what fairy palace, what new
event she might be leading him to; but quite willing and ready, under
her guidance, to meet any destiny that might await him. The Claude was
so placed in the great drawing-room, that the actual landscape, so far
as the mild greenness of the park could be called landscape, met your
eye as you turned from the immortal landscape of the picture. Sara went
straight up to it without a pause, and showed her companion where he was
to stand. “This is the Claude,” she said, with a majestic little wave of
her hand by way of introduction. And the young man stood and looked at
the picture, with her dress almost touching him. If he did not know much
about the Claude at the commencement, he knew still less now. But he
looked into the clear depths of the picture with the most devout
attention. There was a ripple of water, and a straight line of light
gleaming down into it, penetrating the stream, and casting up all the
crisp cool glistening wavelets against its own glow. But as for the
young spectator, who was not a connoisseur, his head got confused
somehow between the sun on Claude’s ripples of water, and the sun as it
had fallen in the hall upon Sara’s hair and her dress.
Public-domain text, read in full here on John Shaqi.
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