Day after day the progress continued uninterrupted, Bruce making it a
point to have his charge ride alone, unless Ned himself expressed a
desire to go in company. The rancher believed that if the other were
ever to be strong enough to resist the temptation to return to his old
haunts and ways, now was the time. Although Lytton's attitude was,
except at rare intervals, subtly resentful, his passive acceptance of
the conditions under which he lived was evidence that he saw the wisdom
in remaining at the ranch and those hours alone on horseback, out of
sight, away from any influencing contact, were the first tests. Bayard
was delighted to see that his work did not collapse the moment he
removed from it his watchful support. And yet, while he took pride in
this accomplishment, he went about his daily work with a sense of
depression constantly on him. It was as though some inevitable calamity
impended, as though, almost, hope had been removed from his future. He
tried not to allow himself to think of Ann Lytton. He knew that to let
his fancies and emotions go unrestrained for an hour would rouse in his
heart a hatred so intense, so compelling, that he would rise in all his
strength during some of Lytton's moods and do the man violence; or, if
not that, then, when talking to her, he would lose self-control and
break his word to her and to himself that not again so long as she loved
her husband would he speak of his regard for her.
But the end of that phase was approaching. Within a few days Lytton
would know that his wife was in the country, would go to her, and
Bayard's interval of protectorate over them both, which at least gave
him opportunity to see the woman he loved, would come to its conclusion.
Now, as he worked on a broken hinge of the corral gate his heart was
heavy and, finally, to force himself to stop brooding, he broke into
song:
"From th' desert I come to thee
On a stallion shod wi--
"No ... not that," he muttered. "I'll not be comin' ... on a stallion
shod with fire, or anythin' else." Then he began this cruder, livelier
strain:
"Foot in th' stirrup an' hand on th' horn,
Best damn cowboy ever was born,
"Coma ti yi youpa ya, youpa ya,
Coma ti yi--
"Dog-gone bolt's too short, Abe," he muttered to the sorrel who stood
within the enclosure. "Too short--
"I herded an' I hollered an' I done very well,
Till th' boss says, Boys, just let 'em go to hell!
"Coma ti yi--
"What do you see, Boy?"
As he turned to go toward the blacksmith shop, he saw the horse standing
with head up and every line of his body rigid, gazing off on the valley.
"You see somebody?" he asked, and swung up on the corral for a better
view.
Far out beyond and below him a lazy wisp of dust rose lightly to be
trailed away by the breath of warm breeze, and, after his eyes had
studied it a moment, he discerned a moving dot that he knew was horse
and rider.
Public-domain text, read in full here on John Shaqi.
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