Buck Peters, ranchman : $b being the story of what happened when Buck Peters, Hopalong Cassidy, and their Bar-20 associates went to MontanaMulford, Clarence Edward
General
Buck Peters, ranchman : $b being the story of what happened when Buck Peters, Hopalong Cassidy, and their Bar-20 associates went to Montana
Mulford, Clarence Edward
Cassidy, Hopalong (Fictitious character) -- Fiction; Montana -- Fiction; Ranch life -- Fiction; Western stories
"He-he-he! He-he-he-he!" Pop Snow’s shrill pipe continued, while the
others demanded more. "Sawbones had n’t been gone a week afore he was
wanted. He-he-he! eh, dear! eh, dear! Lucky Jones come along—an’
stopped. Ther’ wearn’t nothin’ _to_ do but stop. He comes to me an’ he
says: ’Wheer ’s ther’ a doctor?’ ’Well,’ I says, ’jedgin’ from what I
hears, if you jest foller th’ river north fur about fifteen mile to
Drigg’s Worry,’ I says, ’you ’ll find a saw-bones as used to be yer—but
when he left he swears as how he ain’t never comin’ back to th’ P’int,’
I says. He-he-he! Send-I-may-live if he don’t, though. Yep, an’ Jones
purty nigh goes into th’ wet, too. ’Th’ P’int?’ roars th’ Doc, ’No,
siree, by G—d, no, sir! Twenty-eight mile th’ last time to tend a
stinkin’ ole sow, on account o’ a misbegotten son o’ Beelzebub an th’
North Pole they call Snow down there. This time I ’spose ’t’ud be a
skunk.’ ’It’s my wife,’ says Jones, ’an’ if yuh don’t come right sudden
I ’m a-goin’ to blow off th’ top o’ yore devilish ole head,’ says Jones;
’an’ if she dies,’ he sez, ’I blows her off, anyhow.’ He-he-he!
Saw-bones, he riz up an’ come a-kitin’. I ain’t much on Welshmen; they
biles over too easy. But Saw-bones done a good job an’ got away wi’ his
life. We hears all about it nex’ day when Jones comes to me an’ tells
me it is two at once, boy an’ a girl. Fust we knowed he ’d brung his
wife. Not as she stays long. Winter ’s one too many fur her an’ she
cashes in. Then Lucky Jones, he tries to cross th’ river below th’
P’int, ’stid o’ th’ ford, an’ th’ ice ain’t strong enough, an’ Jones, he
was some drunk, I reckon. We calls th’ river after him an’ th’ forks
after th’ kids. Lord, they was bad uns, both on ’em. Black Jack, he
hez hisself hung for suthin’ or other, an’ Little Jill, she turns out
just a plain—"
Every one jumped, it was so unexpected. The lead sung so close to
Dirty’s nose that the backward jerk almost took him off the table and he
recovered his seat with a sideways wriggle and squirm that did credit to
the elasticity of his aged muscles. Having managed to retain his seat,
he continued to retain it. None of the others showed the least desire
to move, though every last man of them yearned for absence—sudden,
noiseless absence—of a kind so instantaneous as to preclude the
possibility of notice: anything less were foolhardy in the face of those
blazing eyes and that loosely held gun, its business end oscillating
like the head of a snake and far more deadly.
"Don’t be afeared, Dirty," purred Dave, in the kindliest tones. "I was
jest a-puttin’ in th’ period. Yore eddication is shameful, Dirty, an’ I
grieves for you, account of it. You has a generous mixture o’ commas
an’ semi-commas an’ things like that, but yore periods is shore some
scarce. You was a-sayin’ as how Little Jill was a sweet, good gal, as
never done wrong in her life, was n’t you?"
Public-domain text, read in full here on John Shaqi.
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