“Where are you going, Jean?”
“To the Assembly. I am late already. I was detained by business. It
would be a shame not to be there to-day. Do you think your Father is
stepping away, old as he is?”
“Then go, in God’s name, Jean. But be careful, I beg of you. And keep
an eye on my Father. If anything hit him--”
“Certainly, my dear.”
“When will you be back?” the Frau Consul called after him.
“Well, about half-past four or five o’clock. Depends. There is a good
deal of importance on the agenda, so I can’t exactly tell.”
“Oh, I’m frightened, I’m frightened,” repeated the Frau Consul, walking
up and down restlessly.
CHAPTER III
Consul Buddenbrook crossed his spacious ground floor in haste. Coming
out into Bakers’ Alley, he heard steps behind him and saw Gosch the
broker, a picturesque figure in his long cloak and Jesuit hat, also
climbing the narrow street to the meeting. He lifted his hat with one
thin long hand, and with the other made a deferential gesture, as he
said, “Well, Herr Consul--how are you?” His voice sounded sinister.
This broker, Siegismund Gosch, a bachelor of some forty years, was,
despite his demeanour, the best and most honest soul in the world; but
he was a wit and an oddity. His smooth-shaven face was distinguished
by a Roman nose, a protruding pointed chin, sharp features, and a wide
mouth drooping at the corners, whose narrow lips he was in the habit of
pressing together in the most taciturn and forbidding manner. His grey
hair fell thick and sombre over his brow, and he actually regretted
not being humpbacked. It was his whim to assume the rôle of a wild,
witty, and reckless intrigant--a cross between Mephistopheles and
Napoleon, something very malevolent and yet fascinating too; and he was
not entirely unsuccessful in his pose. He was a strange yet attractive
figure among the citizens of the old city; still, he belonged among
them, for he carried on a small brokerage business in the most modest,
respectable sort of way. In his narrow, dark little office, however,
he had a large book-case filled with poetry in every language, and
there was a story that he had been engaged since his twentieth year on
a translation of Lope de Vega’s collected dramas. Once he had played
the rôle of Domingo in an amateur performance of Schiller’s “Don
Carlos”--this was the culmination of his career. A common word never
crossed his lips; and the most ordinary business expressions he would
hiss between his clenched teeth, as if he were saying “Curses on you,
villain,” instead of some commonplace about stocks and commissions. He
was, in many ways, the heir and successor to Jean Jacques Hoffstede of
blessed memory, except that his character had certain elements of the
sombre and pathetic, with none of the playful liveliness of that old
18th century friend of Johann Buddenbrook. One day he lost at a single
blow, on the Bourse, six and a half thaler on two or three papers
which he had bought as a speculation. This was enough.
Public-domain text, read in full here on John Shaqi.
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