_This book is composed on the Linotype in Bodoni, so-called after its
designer, Giambattista Bodoni (1740-1813) a celebrated Italian scholar
and printer. Bodoni planned his type especially for use on the more
smoothly finished papers that came into vogue late in the eighteenth
century and drew his letters with a mechanical regularity that is
readily apparent on comparison with the less formal old style. Other
characteristics that will be noted are the square serifs without fillet
and the marked contrast between the light and heavy strokes._
[Illustration]
SET UP, ELECTROTYPED AND PRINTED
BY THE VAIL-BALLOU PRESS, INC.,
BINGHAMTON, N. Y. · PAPER MANUFACTURED
BY W. C. HAMILTON
& SONS, MIQUON, PA., AND
FURNISHED BY W. F.
ETHERINGTON & CO., NEW
YORK · BOUND BY H.
WOLFF ESTATE,
NEW YORK.
TRANSCRIBER’S NOTES:
Italicized text is surrounded by underscores: _italics_.
Obvious typographical errors have been corrected.
Inconsistencies in hyphenation have been standardized.
Archaic or variant spelling has been retained.
New original cover art included with this eBook is granted to the
public domain.
Part 3, chapter 1, in the line:
“Never mind,” Tony said. “She can sit how she likes, she will
always be Tony Buddenbrook.
"Tony" has been changed to "Tom", it doesn't make sense that Tony is
talking about herself in 3rd person. Verified in the original German.
Public-domain text, read in full here on John Shaqi.
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