hurry of events whose sense and meaning could not be guessed, a
restless flood of sound-adventures, rhythms, harmonies, welling up
uncontrolled from the keyboard, as they shaped themselves under Hanno’s
labouring fingers. He experienced them, as it were; he did not know
them beforehand. He sat a little bent over the keys, with parted lips
and deep, far gaze, his brown hair covering his forehead with its soft
curls. What was the meaning of what he played? Were these images of
fearful difficulties surmounted flames passed through and torrents
swum, castles stormed and dragons slain? But always--now like a yelling
laugh, now like an ineffably sweet promise--the original _motif_ wound
through it all, the pitiful phrase with its notes melting into one
another! Now the music seemed to rouse itself to new and gigantic
efforts: wild runs in octaves followed, sounding like shrieks; an
irresistible mounting, a chromatic upward struggle, a wild relentless
longing, abruptly broken by startling, arresting pianissimi which gave
a sensation as if the ground were disappearing from beneath one’s
feet, or like a sudden abandonment and sinking into a gulf of desire.
Once, far off and softly warning, sounded the first chords of the
imploring prayer; but the flood of rising cacophonies overwhelmed them
with their rolling, streaming, clinging, sinking, and struggling up
again, as they fought on toward the end that must come, must come this
very moment, at the height of this fearful climax--for the pressure
of longing had become intolerable. And it came; it could no longer be
kept back--those spasms of yearning could not be prolonged. And it came
as though curtains were rent apart, doors sprang open, thorn-hedges
parted of themselves, walls of flame sank down. The resolution, the
redemption, the complete fulfilment--a chorus of jubilation burst
forth, and everything resolved itself in a harmony--and the harmony,
in sweet _ritardando_, at once sank into another. It was the _motif_,
the _first motif_! And now began a festival, a triumph, an unbounded
orgy of this very figure, which now displayed a wealth of dynamic
colour which passed through every octave, wept and shivered in tremolo,
sang, rejoiced, and sobbed in exultation, triumphantly adorned with
all the bursting, tinkling, foaming, purling resources of orchestral
pomp. The fanatical worship of this worthless trifle, this scrap of
melody, this brief, childish harmonic invention only a bar and a half
in length, had about it something stupid and gross, and at the same
time something ascetic and religious--something that contained the
essence of faith and renunciation. There was a quality of the perverse
in the insatiability with which it was produced and revelled in:
there was a sort of cynical despair; there was a longing for joy, a
yielding to desire, in the way the last drop of sweetness was, as it
were, extracted from the melody, till exhaustion, disgust, and satiety
supervened.
Public-domain text, read in full here on John Shaqi.
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