That which the physiology of the sense-organs aims at is to make
functioning--with what one might call suggestive violence--follow as
a logical necessity from the anatomical and physiological details.
The delicate intricacies of the retina, of the cortical organ, of
the papillæ of smell and taste, have been laid bare with such a
completeness that it seems to need but one more breath, the last and
lightest of all, to wake in this wondrous instrument the melody of
life. But it is just this last lightest breath that remains lacking,
and is not to be secured by any mere dexterity in method however
highly developed. Set to where one will, whether at the first turning
over of the ovum, whether upon the heights of the evolution of sense,
everywhere the miracle stands before us complete. It is entirely owing
to the vast numbers and continuous relays of workers in the realm of
science that the conviction that upon this path, a description becoming
ever more minute and exact, there is nothing real to be achieved has
not already gained much more ground than is the case. As oft as pen
and scalpel fall from a trembling hand, into the breach leaps youthful
vigour, and begins the battle anew with fresh courage.
The like holds good of the latest branch of psychology, the working
out of prerequisite conditions of function. On all hands a similar
scene meets the eye. Each new result, each fresh-won eminence avails
nothing but to open out in yet more impressive fashion the vista of
endless, towering mountains beyond. Here it would almost seem as if
men intentionally slurred over the patent fact that the explanation of
consciousness, of the power to think, already in every case presupposes
this itself, and that every sensation, if at all present as such,
already possesses also a certain content of consciousness. It is the
chase after the horizon,--the attempt by a vigorous and decided advance
to see over on the other side of one’s own limit of vision,--perpetual
progression without progress!
Public-domain text, read in full here on John Shaqi.
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