Buffon's Natural History. Volume 10 (of 10): Containing a Theory of the Earth, a General History of Man, of the Brute Creation, and of Vegetables, Minerals, &c. &cBuffon, Georges Louis Leclerc, comte de
History
Buffon's Natural History. Volume 10 (of 10): Containing a Theory of the Earth, a General History of Man, of the Brute Creation, and of Vegetables, Minerals, &c. &c
Buffon, Georges Louis Leclerc, comte de
Natural history
On this point there remains only one interesting question. Men,
animals, and plants, may, for some time, support the rigour of this
cold, which is 60 degrees below the freezing point; but could they also
support a heat which should be 60 degrees above it? To this we answer,
yes, provided we knew as well how to guard against the heat as we do
to shelter ourselves from the cold; and if the air could, during the
remainder of the year, refresh the earth, in the same manner as the
emanations of the heat of the globe warms the air in cold countries.
We know of plants, insects, and fish, which live and grow in baths of
45, 50, and even 60 degrees of heat; there are, therefore, species in
living nature which can support this degree of heat; and as the negroes
are in the human race those whom a strong heat the least incommodes,
might we not conclude, according to this hypothesis, that the earth
has continued to decline from its original heat, and that the race of
negroes are more ancient than that of white people?
_GENERAL VIEWS OF NATURE._
FIRST VIEW.
Nature is that system of laws established by the Creator for regulating
the existence of bodies and the succession of beings. Nature is
therefore not a body, for if it were so, it would comprehend every
thing; neither is it a being, for in that case it would necessarily be
God. We must rather consider Nature as an immense living power, which
is in subordination to the Supreme Being, and by his command animates
the universe, and whose actions are dependent on, and continued by, his
concurrence or consent. This power is that part of Divine omnipotence
which is manifested to mankind; it is the cause and effect, the mode
and substance, the design and execution. Extremely different from all
human art, whose productions are inanimate, Nature is herself a work
perpetually alive, an active, an unceasing operator, who knows how to
make use of every material, and whose power, though always employed on
the same invariable plan, instead of suffering diminution, is perfectly
inexhaustible: time, space, and matter, are her means; the universe her
object; and motion and life her end.
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