And now the monster was within the range of a stone thrown by a skilful
slinger, when with a sudden bound the youth soared into the air. As an
eagle, when from his lofty flight he sees a serpent basking in the sun,
pounces upon him and seizes him by the neck to prevent him from turning
his head round and using his fangs, so the youth darted down upon the
back of the monster and plunged his sword into its shoulder. Irritated
by the wound, the monster raised himself in the air, then plunged into
the depth; then, like a wild boar surrounded by a pack of barking dogs,
turned swiftly from side to side, while the youth eluded its attacks by
means of his wings. Wherever he can find a passage for his sword between
the scales he makes a wound, piercing now the side, now the flank, as it
slopes towards the tail. The brute spouts from his nostrils water mixed
with blood. The wings of the hero are wet with it, and he dares no
longer trust to them. Alighting on a rock which rose above the waves,
and holding on by a projecting fragment, as the monster floated near he
gave him a death stroke. The people who had gathered on the shore
shouted so that the hills reëchoed the sound. The parents, transported
with joy, embraced their future son-in-law, calling him their deliverer
and the savior of their house, and the virgin, both cause and reward of
the contest, descended from the rock.
Cassiopeia was an Æthiopian, and consequently, in spite of her boasted
beauty, black; at least so Milton seems to have thought, who alludes to
this story in his “Penseroso,” where he addresses Melancholy as the
“. . . . goddess, sage and holy,
Whose saintly visage is too bright
To hit the sense of human sight,
And, therefore, to our weaker view
O’erlaid with black, staid Wisdom’s hue.
Black, but such as in esteem
Prince Memnon’s sister might beseem,
Or that starred Æthiop queen that strove
To set her beauty’s praise above
The sea-nymphs, and their powers offended.”
Cassiopeia is called “the starred Æthiop queen” because after her death
she was placed among the stars, forming the constellation of that name.
Though she attained this honor, yet the Sea-Nymphs, her old enemies,
prevailed so far as to cause her to be placed in that part of the heaven
near the pole, where every night she is half the time held with her head
downward, to give her a lesson of humility.
Memnon was an Æthiopian prince, of whom we shall tell in a future
chapter.
THE WEDDING FEAST
Public-domain text, read in full here on John Shaqi.
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