The island where Ariadne was left was the favorite island of Bacchus,
the same that he wished the Tyrrhenian mariners to carry him to, when
they so treacherously attempted to make prize of him. As Ariadne sat
lamenting her fate, Bacchus found her, consoled her, and made her his
wife. As a marriage present he gave her a golden crown, enriched with
gems, and when she died, he took her crown and threw it up into the sky.
As it mounted the gems grew brighter and were turned into stars, and
preserving its form Ariadne’s crown remains fixed in the heavens as a
constellation, between the kneeling Hercules and the man who holds the
serpent.
Spenser alludes to Ariadne’s crown, though he has made some mistakes in
his mythology. It was at the wedding of Pirithous, and not Theseus, that
the Centaurs and Lapithæ quarrelled.
“Look how the crown which Ariadne wore
Upon her ivory forehead that same day
That Theseus her unto his bridal bore,
Then the bold Centaurs made that bloody fray
With the fierce Lapiths which did them dismay;
Being now placed in the firmament,
Through the bright heaven doth her beams display,
And is unto the stars an ornament,
Which round about her move in order excellent.”
————
CHAPTER XXII
THE RURAL DEITIES—ERISICHTHON—RHŒCUS—THE WATER DEITIES—CAMENÆ—WINDS
THE RURAL DEITIES
PAN, the god of woods and fields, of flocks and shepherds, dwelt in
grottos, wandered on the mountains and in valleys, and amused himself
with the chase or in leading the dances of the nymphs. He was fond of
music, and as we have seen, the inventor of the syrinx, or shepherd’s
pipe, which he himself played in a masterly manner. Pan, like other gods
who dwelt in forests, was dreaded by those whose occupations caused them
to pass through the woods by night, for the gloom and loneliness of such
scenes dispose the mind to superstitious fears. Hence sudden fright
without any visible cause was ascribed to Pan, and called a Panic
terror.
As the name of the god signifies _all_, Pan came to be considered a
symbol of the universe and personification of Nature; and later still to
be regarded as a representative of all the gods and of heathenism
itself.
Sylvanus and Faunus were Latin divinities, whose characteristics are so
nearly the same as those of Pan that we may safely consider them as the
same personage under different names.
Public-domain text, read in full here on John Shaqi.
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