The body, despoiled and mangled, was found, and though disfigured with
wounds, was recognized by the friend in Corinth who had expected him as
a guest. “Is it thus I find you restored to me?” he exclaimed. “I who
hoped to entwine your temples with the wreath of triumph in the strife
of song!”
The guests assembled at the festival heard the tidings with dismay. All
Greece felt the wound, every heart owned its loss. They crowded round
the tribunal of the magistrates, and demanded vengeance on the murderers
and expiation with their blood.
But what trace or mark shall point out the perpetrator from amidst the
vast multitude attracted by the splendor of the feast? Did he fall by
the hands of robbers or did some private enemy slay him? The
all-discerning sun alone can tell, for no other eye beheld it. Yet not
improbably the murderer even now walks in the midst of the throng, and
enjoys the fruits of his crime, while vengeance seeks for him in vain.
Perhaps in their own temple’s enclosure he defies the gods, mingling
freely in this throng of men that now presses into the amphitheatre.
For now crowded together, row on row, the multitude fill the seats till
it seems as if the very fabric would give way. The murmur of voices
sounds like the roar of the sea, while the circles widening in their
ascent rise tier on tier, as if they would reach the sky.
And now the vast assemblage listens to the awful voice of the chorus
personating the Furies, which in solemn guise advances with measured
step, and moves around the circuit of the theatre. Can they be mortal
women who compose that awful group, and can that vast concourse of
silent forms be living beings?
The choristers, clad in black, bore in their fleshless hands torches
blazing with a pitchy flame. Their cheeks were bloodless, and in place
of hair writhing and swelling serpents curled around their brows.
Forming a circle, these awful beings sang their hymns, rending the
hearts of the guilty, and enchaining all their faculties. It rose and
swelled, overpowering the sound of the instruments, stealing the
judgment, palsying the heart, curdling the blood.
“Happy the man who keeps his heart pure from guilt and crime! Him we
avengers touch not; he treads the path of life secure from us. But woe!
woe! to him who has done the deed of secret murder. We the fearful
family of Night fasten ourselves upon his whole being. Thinks he by
flight to escape us? We fly still faster in pursuit, twine our snakes
around his feet, and bring him to the ground. Unwearied we pursue; no
pity checks our course; still on and on, to the end of life, we give him
no peace nor rest.” Thus the Eumenides sang, and moved in solemn
cadence, while stillness like the stillness of death sat over the whole
assembly as if in the presence of superhuman beings; and then in solemn
march completing the circuit of the theatre, they passed out at the back
of the stage.
Public-domain text, read in full here on John Shaqi.
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