There was another contest, in which a mortal dared to come in
competition with Minerva. That mortal was Arachne, a maiden who had
attained such skill in the arts of weaving and embroidery that the
nymphs themselves would leave their groves and fountains to come and
gaze upon her work. It was not only beautiful when it was done, but
beautiful also in the doing. To watch her, as she took the wool in its
rude state and formed it into rolls, or separated it with her fingers
and carded it till it looked as light and soft as a cloud, or twirled
the spindle with skilful touch, or wove the web, or, after it was woven,
adorned it with her needle, one would have said that Minerva herself had
taught her. But this she denied, and could not bear to be thought a
pupil even of a goddess. “Let Minerva try her skill with mine,” said
she; “if beaten I will pay the penalty.” Minerva heard this and was
displeased. She assumed the form of an old woman and went and gave
Arachne some friendly advice. “I have had much experience,” said she,
“and I hope you will not despise my counsel. Challenge your
fellow-mortals as you will, but do not compete with a goddess. On the
contrary, I advise you to ask her forgiveness for what you have said,
and as she is merciful perhaps she will pardon you.” Arachne stopped her
spinning and looked at the old dame with anger in her countenance. “Keep
your counsel,” said she, “for your daughters or handmaids; for my part I
know what I say, and I stand to it. I am not afraid of the goddess; let
her try her skill, if she dare venture.” “She comes,” said Minerva; and
dropping her disguise stood confessed. The nymphs bent low in homage,
and all the bystanders paid reverence. Arachne alone was unterrified.
She blushed, indeed; a sudden color dyed her cheek, and then she grew
pale. But she stood to her resolve, and with a foolish conceit of her
own skill rushed on her fate. Minerva forbore no longer nor interposed
any further advice. They proceed to the contest. Each takes her station
and attaches the web to the beam. Then the slender shuttle is passed in
and out among the threads. The reed with its fine teeth strikes up the
woof into its place and compacts the web. Both work with speed; their
skilful hands move rapidly, and the excitement of the contest makes the
labor light. Wool of Tyrian dye is contrasted with that of other colors,
shaded off into one another so adroitly that the joining deceives the
eye. Like the bow, whose long arch tinges the heavens, formed by
sunbeams reflected from the shower,[14] in which, where the colors meet
they seem as one, but at a little distance from the point of contact are
wholly different.
Public-domain text, read in full here on John Shaqi.
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