In 1896 a State school of painting was founded at Sofia, and there is now a fine art gallery in the capital. But most of the artistic impulse has come from abroad, and the most notable names in Bulgarian art after that of Pavlovitch are Piotrovsky (Polish), Boloungaro (Italian), de Fourcade (French), Sliapin (Russian). The first art exhibition was organised in 1887 by Ivan Angeloff, teacher in the Gymnasium of Sofia and a graduate of the Munich Academy of Fine Arts. This exhibition, which contained three pictures painted in Bulgaria and a number of sketches and studies dating from the artist's student days in Munich, as well as drawings by students of the Gymnasium, was held in one of the drawing-rooms of the Gymnasium in honour of the Prince, who had recently been elected to the Bulgarian throne. Some five years later, on the occasion of the first Bulgarian Industrial and Agricultural Exhibition, held at Plovdiv in 1892, the first collective art exhibition was organised, the productions of the various Bulgarian artists being exhibited. King Ferdinand is a consistent patron of Bulgarian art, and has the richest collection of pictures in Bulgaria, distributed among his palaces at Sofia, Plovdiv, and Varna. M. Audrey Protitch, in a recent monograph on Bulgarian art (to which I am indebted for most of the facts above) gives this critical summary of Bulgarian achievement: If we exclude historical painting, which, since the early and specialised attempts of Nicolas Pavlovitch, has been almost entirely neglected in Bulgaria, Bulgarian artists have tried their hand at almost every form of art. Ethnographical pictures, national scenes, pictures of military subjects, landscapes, interiors, flower pieces, animals, portraits, icons, allegories, mythical subjects, ruins, architecture--all these are fully represented in the art gallery of the National Museum, and have figured in nearly all the art exhibitions. The first place among these varieties is held by landscapes, _genre_, and portraits, whether in oil, water-colour, or pastel. The weak point of Bulgarian artists is undoubtedly undraped figures, especially undraped feminine figures, the only exception being Stephan Ivanoff, who however abandoned this class of work to become the best icon-painter in Bulgaria.