Bulgarian art may be called national only as regards its contents, but neither in form nor technique. As we have already said, the subjects are taken from Bulgarian scenery or from peasant and town life. The sense of human form is gradually developing, with the exception of the feminine body, which remains proscribed by public taste. This last circumstance accounts, to a great extent, for the low level of sculpture in Bulgaria. Decorative art is making rapid strides, owing to the great amount of building going on during recent years. Artistic form and technique are in a transitional phase, all the younger artists waging war against the traditional and conventional styles and the foreign influences that have hitherto hindered the free development of art in Bulgaria, and striving to evolve forms more in conformity with the contents of Bulgarian art. About Bulgarian literature I can say nothing--lacking a guidance of a competent critic or a knowledge of the language--except that it is ambitious and aspiring. But it can hardly be expected that a language which is, after all, but a dialect of Russian should ever produce a great literature. The Bulgarian national pride is so strong that probably there will never be a movement to make Russian the literary language of the people; but in that would seem to be the best hope of a Bulgarian literature. CHAPTER XI HOW BULGARIA IS GOVERNED To attempt to describe how Bulgaria is governed is to enter inevitably into the realms of controversy. In theory the system of government is purely democratic: and many Bulgarians are confident that the practice follows the theory closely. Personally I have my doubts. The working of a fully democratic constitution seems to be tempered a great deal by the aristocratic powers reserved to the King in Council at times of crisis: and this tempering is probably necessary.