Bunch Grass: A Chronicle of Life on a Cattle RanchVachell, Horace Annesley
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Bunch Grass: A Chronicle of Life on a Cattle Ranch
Vachell, Horace Annesley
Ranching -- California -- Fiction; Short stories, English; Western stories
"Yes. How did you open our burglar-proof safe?"
Johnson laughed.
"My father was a manufacturer of safes," he answered. "I know the
tricks of my trade."
IX
UNCLE JAP'S LILY
Jaspar Panel owned a section of rough, hilly land to the north-east of
Paradise. Everybody called him Uncle Jap. He was very tall, very thin,
with a face burnt a brick red by exposure to sun and wind, and, born
in Massachusetts, he had marched as a youth with Sherman to the sea.
After the war he married, crossed the plains in a "prairie schooner,"
and, eventually, took up six hundred and forty acres of Government
land in San Lorenzo County. With incredible labour, inspired and
sustained by his natural acuteness, he wrought a miracle upon a
singularly arid and sterile soil. I have been told that he was the
first of the foothill settlers to irrigate abundantly, the first to
plant out an orchard and vineyard, the first, certainly, to create a
garden out of a sage-brush desert. Teamsters hauling wheat from the
Carisa plains used to stop to shake the white alkaline dust from their
overalls under Uncle Jap's fig trees. They and the cowboys were always
made welcome. To such guests Uncle Jap would offer figs, water-melons,
peaches, a square meal at noon, and exact nothing in return except
appreciation. If a man failed to praise Uncle Jap's fruit or his
wife's sweet pickles, he was not pressed to "call again." The old
fellow was inordinately proud of his colts, his Poland-China pigs, his
"graded" bull, his fountain in the garden.
"Nice place you have, Mr. Panel," a stranger might say.
"Yas; we call it Sunny Bushes. Uster be nothin' but sun an' bushes
onst. It's nice, yas, and it's paid for."
"What a good-looking mare!"
"Yas; she's paid for, too."
Everything on the ranch, animal, vegetable, and mineral, was "paid
for." Uncle Jap was the last man to hurt anybody's feelings, but the
"paid for" rankled on occasion, for some of his visitors stood
perilously near the edge of bankruptcy, and, as a rule, had not paid
for either the land they occupied, or the cattle they branded, or the
clothes they wore. To understand this story you must grasp the fact
that Uncle Jap lived with credit and not on it.
His wife, also of New England parentage, had a righteous horror of
debt bred in her bone. Uncle Jap adored her. If he set an extravagant
value upon his other possessions, what price above rubies did he place
upon the meek, silent, angular woman, who had been his partner,
companion, and friend for more than a quarter of a century. Sun and
wind had burnt her face, also, to the exact tint of her husband's. Her
name was Lily.
"And, doggone it, she looks like a lily," Uncle Jap would say, in
moments of expansion. "Tall an' slim, yas, an' with a little droop of
her head. I'd ought ter be grateful to God fer givin' me sech a flower
outer heaven--an' I am, I am. Look at her now! What a mover!"
Public-domain text, read in full here on John Shaqi.
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