For humour, for pathos, for tenderness, for acute and sympathetic insight
at once into nature and grace, for absolutely artless literary skill, and
for the sweetest, most musical, and most exquisite English, show me
another passage in our whole literature to compare with John Bunyan's
portrait of Mr. Fearing. You cannot do it. I defy you to do it.
Spenser, who, like John Bunyan, wrote an elaborate allegory, says: It is
not in me. Take all Mr. Fearing's features together, and even
Shakespeare himself has no such heart-touching and heart-comforting
character. Addison may have some of the humour and Lamb some of the
tenderness; but, then, they have not the religion. Scott has the insight
into nature, but he has no eye at all for grace; while Thackeray, who, in
some respects, comes nearest to John Bunyan of them all, would be the
foremost to confess that he is not worthy to touch the shoe-latchet of
the Bedford tinker. As Dr. Duncan said in his class one day when telling
us to read Augustine's Autobiography and Halyburton's:--"But," he said,
"be prepared for this, that the tinker beats them all!" "Methinks," says
Browning, "in this God speaks, no tinker hath such powers."
Now, as they walked along together, the guide asked the old gentleman if
he knew one Mr. Fearing that came on pilgrimage out of his parts. "Yes,"
said Mr. Honest, "very well. He was a man that had the root of the
matter in him; but he was one of the most troublesome pilgrims that ever
I met with in all my days." "I perceive you knew him," said the guide,
"for you have given a very right character of him." "Knew him!"
exclaimed Honest, "I was a great companion of his; I was with him most an
end. When he first began to think of what would come upon us hereafter,
I was with him." "And I was his guide," said Greatheart, "from my
Master's house to the gates of the Celestial City." "Then," said Mr.
Honest, "it seems he was well at last." "Yes, yes," answered the guide,
"I never had any doubt about him; he was a man of a choice spirit, only
he was always kept very low, and that made his life so burdensome to
himself and so troublesome to others. He was, above many, tender of sin;
he was so afraid of doing injuries to others that he would often deny
himself of that which was lawful because he would not offend." "But
what," asked Honest, "should be the reason that such a good man should be
all his days so much in the dark?" "There are two sorts of reasons for
it," said the guide; "one is, the wise God will have it so: some must
pipe and some must weep. Now, Mr. Fearing was one that played upon this
base. He and his fellows sound the sackbut, whose notes are more doleful
than the notes of other music are. Though, indeed, some say that the
base is the ground of music. And, for my part, I care not at all for
that profession that begins not with heaviness of mind. The first string
that the musician usually touches is the base when he intends to put all
in tune.
Public-domain text, read in full here on John Shaqi.
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