Burgundy: The Splendid Duchy. Stories and Sketches in South BurgundyAllen, Percy
History
Burgundy: The Splendid Duchy. Stories and Sketches in South Burgundy
Allen, Percy
Burgundy (France) -- Description and travel
Another church of considerable interest, from the architectural point
of view, is St. Michel. I am not referring to the interior, which
is, on the whole, an ineffective example of late Gothic, with clumsy
vaulting ribs, and heavy, square, nave piers, rounded off by vaulting
shafts at the angles--but to the façade, one of the best examples I
know of Gothic design worked out in Renaissance detail, with four
classical orders superposed.[176] Hugues Sambin, the architect, or
reputed architect--he who did those beautiful doors for the Palace
de Justice, that we have seen in the Musée--has made so harmonious
a compromise of the two styles, that I wonder he has not found more
imitators. The fact that others dared not follow emphasises the
difficulty of the task.
But the most interesting, by far, of all the churches of Dijon, is
Notre Dame, that, within hail of the Palace, and dedicated to Our Lady,
enjoyed the special patronage of the Dukes. It was here that, after the
great tournament at the arbre Charlemagne, in the plain south of Dijon,
to be spoken of presently, the competing knights came to hang up their
shields, and to render thanks to their preserver. Here, too, in 1453,
after long imprisonment in the east, came Philippe Pot, whom also we
shall meet again, barefooted, amidst a brilliant assemblage, to fulfil
his vows to Notre Dame de Bon Espoir.
Notre Dame is a purely Burgundian Gothic church, of the thirteenth
century. The interior, with its typical stiff leaf capitals, and
pointed arches, is not very remarkable. The arcade round the choir is
good; but the square blocks above the abaci, that take the vaulting
shafts, are clumsy, and the rose windows without tracery, in the
transept, are not effective. As with St. Michel, it is the exterior
design that makes the church so remarkable from an architectural point
of view. The triple porch--if its carvings were as good as those
above--must have been very charming before the revolutionary gentlemen
set to work with hammer and axe upon tympanum and arch.
[Illustration: · DOOR OF THE EGLISE ST. MICHAEL · DIJON ·]
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