All is over; she must fall a victim to her pursuer.... Already he stretches out his arms to seize her. As his hands, quivering with passion, touch the young girl, he breaks into a peal of infernal laughter that resounds through the whole valley. Then Marguerite remembers her betrothed in Heaven. She calls upon Him for aid; she murmurs His name, and arms herself with His sign. At the name of Jesus, spoken with that faith which removes mountains, the rock opens before her, and the mule carries the Christian maid to safety. But the false page, a demon in disguise, fell down into a fiery gulf that opened suddenly beneath his feet. Afterwards, when the earth had closed again over the spot, the peasants found, lying upon the wayside grass, a girdle of white silk, the symbol of Marguerite's purity and innocence. [Illustration: ·RUINS OF THE ABBEY OF SAINT MARGUERITE·] The maid of Vergy reined in her mule before a fountain, a few paces from the parted rock. She dismounted, and, prostrating herself, she consecrated to the Lord her virginity that had been so miraculously preserved. In a later year, with the dowry left her by her father, she built, on this spot, a monastery, to which she gave the name of Ste. Marguerite, her patron saint, as a song of thanksgiving in praise of her Heavenly Spouse. * * * * * Philippe Pot being a name to conjure with in Burgundy, we took the first opportunity to make acquaintance with his eagle's nest, the Roche-Pot. The road from Beaune skirts the Côte d'Or, as far as Pommard, and climbs, between the vineyards, into the hills. These vineyards, in which are produced some of the choicest vines of the district, are surrounded each with a stone wall and gateway, with the name of the _clos_ written on it--"Clos des Chênes," "Clos des Antres," etc. As you rise, there opens out a lovely view over the fruitful plain of Burgundy, a golden sea of vines. Below us, ahead, the dark roofs and spires of Meursault rise from the trees, and beyond them, shining in a blue mist, the widening southern hills of the Côte d'Or. About half a mile from Meursault, the road, turning due west, plunges down into the valley of the Clous, between the hills, rock-clad at their summits, vine-clad below. Thence the way undulates past Auxey-le-Grand and Melin, until suddenly you sight, above the trees, the towers of Rochepot perched upon its crag. Leaving my wife to sketch, I made my way up through the dilapidated village, and soon found myself crossing the drawbridge of a mediæval castle, glowing as brightly with gold and colour, and with blazoned coats of arms, as on the day when it was first built. Here were round towers, machicolated battlements, a pepper-pot roof, with not a stone or tile of them disordered. I had expected a ruin--a lizards' playground; yet here before my eyes was Philippe Pot's own legend, "TANT L VAUT," as fresh as painter and gilder could make it.