Sooner or later she must see. Sooner or later the already distended
situation must get more and more distended until it burst with a loud
report. Let the moment be sooner, he swiftly decided.
So she went and saw.
Half-way up the attic stairs she began to sniff, and as he turned the
knob of the attic door for her she said, "What a smell of paint! I
fancied yesterday----"
If she had been clever enough she would have said, "What a smell of
masterpieces!" But her cleverness lay in other fields.
"You surely haven't been aspinalling that bath-room chair?... Oh!"
This loud exclamation escaped from her as she entered the attic and saw
the back of the picture which Priam had lodged on the said bath-room
chair--filched by him from the bath-room on the previous day. She
stepped to the vicinity of the window and obtained a good view of the
picture. It was brilliantly shining in the light of morn. It looked
glorious; it was a fit companion of many pictures from the same hand
distributed among European galleries. It had that priceless quality, at
once noble and radiant, which distinguished all Priam's work. It
transformed the attic; and thousands of amateurs and students, from St.
Petersburg to San Francisco, would have gone into that attic with their
hats off and a thrill in the spine, had they known what was there and
had they been invited to enter and worship. Priam himself was pleased;
he was delighted; he was enthusiastic. And he stood near the picture,
glancing at it and then glancing at Alice, nervously, like a mother
whose sister-in-law has come to look at the baby. As for Alice, she said
nothing. She had first of all to take in the fact that her husband had
been ungenerous enough to keep her quite in the dark as to the nature of
his secret activities; then she had to take in the fact of the picture.
"Did you do that?" she said limply.
"Yes," said he, with all the casualness that he could assume. "How does
it strike you?" And to himself: "This'll make her see I'm not a mere
lunatic. This'll give her a shaking up."
"I'm sure it's beautiful," she said kindly, but without the slightest
conviction. "What is it? Is that Putney Bridge?"
"Yes," he said.
"I thought it was. I thought it must be. Well, I never knew you could
paint. It's beautiful--for an amateur." She said this firmly and yet
endearingly, and met his eyes with her eyes. It was her tactful method
of politely causing him to see that she had not accepted last night's
yarn very seriously. His eyes fell, not hers.
"No, no, no!" he expostulated with quick vivacity, as she stepped
towards the canvas. "Don't come any nearer. You're at just the right
distance."
"Oh! If you don't _want_ me to see it close," she humoured him. "What a
pity you haven't put an omnibus on the bridge!"
"There is one," said he. "_That's_ one." He pointed.
Public-domain text, read in full here on John Shaqi.
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