In reflecting upon such a history as this, two things become very
clear; the first is that the details of the events would be much better
understood if we had an accurate map before us; the second is that the
events themselves--the successive destructions and rebuildings--must
have changed the city considerably from what it was. Even in the city
of London the floors of Roman dwellings are found 15 or 18 feet below
the present surface of the streets. In Jerusalem, we need not be
surprised to learn, the depth of _debris_ is much greater, and since
it has accumulated chiefly in the valleys, and very nearly obliterated
some of them, it has, of course, obscured the topography. An accurate
map of modern Jerusalem is in our hands, but it does not show us what
the ancient city was like. Therefore it is not sufficient to have this
modern map before us when we read the ancient history. We read in the
history that Zedekiah fled (from his palace) through the gate between
two walls and by the way of the king’s gardens; but in modern Jerusalem
there is no king’s palace or garden and no gate between two walls. The
history describes how Nehemiah rebuilt the wall, from the Sheep Gate to
the Tower of Meah, and thence to the Fish Gate, and the Old Gate, &c.,
but in modern Jerusalem we find no such places and names. We are still
worse off when we read in Josephus about Titus encamping within the
third wall, and then making a breach in the middle wall and encamping
in the middle city, and still having a wall between him and the Jews in
the Upper City: for the Jerusalem of to-day shows only one wall besides
the rampart of the temple. Naturally there has been much conjecture
concerning the ancient city, and the best authorities have differed
from one another in their ideas. It was with the hope of settling
the disputed questions as well as with the object of uncovering
antiquities, that the Palestine Exploration Society began the work of
excavation.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account