I bear a secret comfort here,
[_putting his hand on the bundle, but without showing it._
A joy I'll ne'er impart;
It is not wine, it is not beer,
But it consoles my heart.
_Fem. Min._ [_interrupting him._] I'll be hang'd if you don't mean the
bottle of cherry-brandy that you stole out of the vaults in the Abbey
cellar.
_Trou._ I mean!--Peace, wench, thou disturbest the current of my feelings.
[_Fem. Min. attempts to lay hold of the bottle. Troubadour pushes
her aside, and continues singing without interruption._
This cherry-bounce, this lov'd noyau,
My drink for ever be;
But, sweet my love, thy wish forego,
I'll give no drop to thee!
(_Both together_.)
_Trou._ {This} cherry-bounce {This} lov'd noyau,
_F. M._ {That} {that}
_Trou._ {My } drink for ever be;
_F. M._ {Thy }
_Trou._ } But, sweet my love, {thy wish forego!
_F. M._ } {one drop bestow,
_Trou._ {I } keep it all for {me!
_F. M._ {Nor} {thee!
[_Exeunt struggling for the bottle, but without anger or
animosity, the Fem. Min. appearing, by degrees, to obtain a
superiority in the contest._
Act the Third contains the _eclaircissements_ and final arrangement
between Casimere, Matilda, and Cecilia: which so nearly resemble the
concluding act of "Stella," that we forbear to lay it before our readers.
* * * * *
ACT IV.
SCENE--_The Inn door--Diligence drawn up._ CASIMERE _appears
superintending the package of his portmanteaus, and giving
directions to the Porters._
_Enter_ BEEFINGTON _and_ PUDDINGFIELD.
_Pudd._ Well, Coachey, have you got two inside places?
_Coach._ Yes, your honour.
_Pudd._ [_seems to be struck with_ CASIMERE'S _appearance. He surveys him
earnestly, without paying any attention to the coachman, then doubtingly
pronounces_] Casimere!
_Cas._ [_turning round rapidly, recognises_ PUDDINGFIELD, _and embraces
him_.] My Puddingfield!
_Pudd._ My Casimere!
_Cas._ What, Beefington too! [_discovering him_.] Then is my joy complete.
_Beef._ Our fellow-traveller, as it seems.
_Cas._ Yes, Beefington--but wherefore to Hamburgh?
_Beef._ Oh, Casimere[211]--to fly--to fly--to return--England--our
country--Magna Charta--it is liberated--a new era--House of
Commons--Crown and Anchor--Opposition----
_Cas._ What a contrast! you are flying to liberty and your home--I,
driven from my home by tyranny--am exposed to domestic slavery in a
foreign country.
_Beef._ How domestic slavery?
_Cas._ Too true--two wives [_slowly, and with a dejected air--then after
a pause_]--you knew my Cecilia?
_Pudd._ Yes, five years ago.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account