Bushido; Ethics -- Japan; Japan -- Civilization; Japan -- Social life and customs; Philosophy, Japanese; Samurai -- History
“We (seven foreign representatives) were invited to follow the Japanese
witness into the _hondo_ or main hall of the temple, where the ceremony
was to be performed. It was an imposing scene. A large hall with a high
roof supported by dark pillars of wood. From the ceiling hung a
profusion of those huge gilt lamps and ornaments peculiar to Buddhist
temples. In front of the high altar, where the floor, covered with
beautiful white mats, is raised some three or four inches from the
ground, was laid a rug of scarlet felt. Tall candles placed at regular
intervals gave out a dim mysterious light, just sufficient to let all
the proceedings be seen. The seven Japanese took their places on the
left of the raised floor, the seven foreigners on the right. No other
person was present.
“After the interval of a few minutes of anxious suspense, Taki
Zenzaburo, a stalwart man thirty-two years of age, with a noble air,
walked into the hall attired in his dress of ceremony, with the peculiar
hempen-cloth wings which are worn on great occasions. He was accompanied
by a _kaishaku_ and three officers, who wore the _jimbaori_ or war
surcoat with gold tissue facings. The word _kaishaku_ it should be
observed, is one to which our word executioner is no equivalent term.
The office is that of a gentleman: in many cases it is performed by a
kinsman or friend of the condemned, and the relation between them is
rather that of principal and second than that of victim and executioner.
In this instance the _kaishaku_ was a pupil of Taki Zenzaburo, and was
selected by friends of the latter from among their own number for his
skill in swordsmanship.
“With the _kaishaku_ on his left hand, Taki Zenzaburo advanced slowly
towards the Japanese witnesses, and the two bowed before them, then
drawing near to the foreigners they saluted us in the same way, perhaps
even with more deference; in each case the salutation was ceremoniously
returned. Slowly and with great dignity the condemned man mounted on to
the raised floor, prostrated himself before the high altar twice, and
seated[19] himself on the felt carpet with his back to the high altar,
the _kaishaku_ crouching on his left hand side. One of the three
attendant officers then came forward, bearing a stand of the kind used
in the temple for offerings, on which, wrapped in paper, lay the
_wakizashi_, the short sword or dirk of the Japanese, nine inches and a
half in length, with a point and an edge as sharp as a razor’s. This he
handed, prostrating himself, to the condemned man, who received it
reverently, raising it to his head with both hands, and placed it in
front of himself.
[Footnote 19: Seated himself—that is, in the Japanese fashion, his
knees and toes touching the ground and his body resting on his
heels. In this position, which is one of respect, he remained until
his death.]
Public-domain text, read in full here on John Shaqi.
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