Bussy D'Ambois and The Revenge of Bussy D'AmboisChapman, George
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Bussy D'Ambois and The Revenge of Bussy D'Ambois
Chapman, George
Bussy d'Amboise, 1549?-1579 -- Drama; English drama -- 17th century; Revenge -- Drama; Tragedies (Drama)
_Non sic Libycis Syrtibus æquor
Furit alternos volvere fluctus,
Non Euxini turget ab imis
Commota vadis unda, nivali
Vicina polo;
Ubi, cæruleis immunis aquis,
Lucida versat plaustra Bootes,
Ut praecipites regum casus
Fortuna rotat._
These lines, with those immediately before and after, are more loosely
adapted in Kyd's _Spanish Tragedie_, III, 1, 1-11.
=126=, 23. =this embodied shadow:= this spirit while it had bodily form.
=126=, 24-27. =With reminiscion . . . of art.= Cf. IV, 2, 158-61.
=127=, 41-53. =Terror of darknesse . . . greater light.= After Bussy's
statement in ll. 29-32 we should expect him to immediately summon _the
Prince of darknesse_, Behemoth. But ll. 41-46 are apparently addressed
to the sun-god, who is invoked to put to flight night and mystery. Then
as an alternative, in ll. 47-53, Behemoth, to whom darkness is as light,
is bidden appear. Dilke substitutes _oh_ for _or_ (the reading of all
Qq) at the beginning of l. 47. If this change be right, the invocation
commences at this line, and ll. 41-46 are merely a preliminary
rhetorical appeal for more illumination. But in this case there is an
incongruity between such an appeal and the summoning of the _Prince of
shades_, who sees best where darkness is thickest. Lamb in his
_Specimens_ retains the reading of the Qq, and says of the passage:
"This calling upon Light and Darkness for information, but, above all,
the description of the spirit--'threw his changed countenance headlong
into clouds'--is tremendous, to the curdling of the blood. I know
nothing in poetry like it."
=130=, 103. =all the signes:= i. e. of the Zodiac.
=131.= =Intrat Umbra Frier . . . Tamyra.= The Ghost of the Friar enters
and _discovers_, i. e. _reveals to view_, Tamyra, who since the close of
V, 1, has remained wrapped _in the arras_, or, as the variant stage
direction in A here puts it, _wrapt in a canapie_.
=131=, 9. =before he be revenged:= before vengeance is taken on him. The
reading of A, _engaged_, is perhaps (as Dilke suggests) preferable.
=133=, 27-28. =what . . . D'Amboys:= what bugbear, such as this, is not
afraid to visit D'Amboys, even in his sleep?
=134=, 45. =Will . . . here?= D'Ambois's sword fails to pierce the
_privy coat_ worn by the murderer. Cf. V, 2, 57.
=134=, 52. =That . . . resembled:= That was a successful artifice, and a
skilful impersonation.
=135=, 65. =enforce the spot:= emphasize the stain on your honour.
=136=, 82. =Then . . . fact:= then these teachers of divinity deal with
figments, not with realities.
=136=, 83-84. =Man . . . servant:= Man consists of two attached friends,
the body and the mind, of which the latter is swayed by the former, as a
lover by his mistress.
Public-domain text, read in full here on John Shaqi.
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