"Go on, William!" said Sir Philip fiercely, for his suspicions were now
assuming a bodily form; and it was with anger gathering in his breast
that he sat there thinking--knowing, too, the goal to which to shape his
course. But he said no word to Mr Bray, only sat down now, with his
brow knit, as he felt the impossibility of overtaking the other
carriage; but from time to time he started up impatiently, to urge the
coachman to renewed efforts; so that whenever a plain hard piece of road
presented itself, the horses appeared almost to fly.
Shame and disgrace seemed to Sir Philip to have marked him for their
own; and he shrank from his companion, dreading, after awhile, to hear
him speak; for his son's acts were as his own; nay, he felt that they
would fall upon him more heavily. It was cruel, cruel, cruel; or was he
mad? Impossible! But what could he do, what could he say?
"Wait awhile," he muttered at last; and then, starting up once more, he
ordered the coachman to drive faster. And onward they tore, till the
carriage jolted here and there, and the springs threatened to snap; but
Sir Philip heeded nothing but his own thoughts, as his heart asked him
where was his son. A question that he could have answered again and
again, as his brow grew more deeply marked with the anger and shame that
oppressed him; but he forbore.
"Quicker, William, quicker!" exclaimed Sir Philip at last; and the
coachman lashed the horses into a gallop, but only to hasten the
catastrophe that had been predicted for the chariot; for, as the horses
sprang forward, and the barouche swayed again with the speed, there was
a sharp crack, a swerve, a crash, and the handsome carriage was over,
with the horses kicking madly, and the driver and occupants lying
stunned and senseless in the muddy road.
Volume 3, Chapter XII.
GOING BACK.
As the old novelists used to say, in their courtly polished style, that
makes us think that they must have written with a handsome bead-work
presentation pen dipped in scented ink, and held by a delicate hand
clothed in a white-kid glove, "Gentle reader, we must now return to our
heroine."
In the plain English and more matter-of-fact way of the year of grace
eighteen hundred and seventy, it is given to my hard steel broad-point
to be dipped in the ordinary infusion of galls and copperas--rather
bitty by the way, and given to turn mouldy--and then, when well-charged
with the ink-rusting fluid to declare that we have a long arrear to
fetch up relative to the proceedings of Ella Bedford, which could not
well be told until the career of the two country families had reached
the point recorded in the last chapter.
Public-domain text, read in full here on John Shaqi.
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