Hebrew literature -- History and criticism; Jewish literature -- History and criticism; Jews in literature
Kaufmann, young as he was in 1868, was already a student of the Breslau
Seminary. Let another student of the same institution tell us of the
impression the _Family Papers_ made there. Dr. F. de Sola Mendes
writes that “he was yet studying at the Breslau Theological Seminary
when the book was first brought under his notice by a fellow-student,
one of its most enthusiastic admirers. A large number of copies
were at once procured and read with avidity by our comrades. It is
impossible to describe the applause the book called forth; never had
we read so glowing and so powerful a vindication of pure Judaism.
We were rejoiced that the country which produced an Eisenmenger,
a Wagenseil, Schudt, Pfefferkorn _et hoc genus omne_, should have
yielded in our day, too, so triumphant a Defender of the Faith. Our
venerable Director, Dr. Frankel, was as enthusiastic as any of his
young disciples in its praise.” The writer of the lines just quoted
determined to render the book into English. “The work of translation
was commenced and carried on in leisure intervals for the next few
years. In January, 1874, in conjunction with Mr. A. Herzberg, then of
London, brother of the author, a prospectus was issued in England,
proposing the publication of the work by subscription. The project was
heartily indorsed by the Chief Rabbi and Dr. H. Adler, the latter of
whom kindly made valuable suggestions as to omissions and alterations
proper in a version to come before average English readers.” One
wonders what the author would have said to such “omissions and
alterations.” But the matter was not taken up by the Anglo-Jewish
public, and Dr. Mendes eventually issued his excellent translation in
New York (1875), under the auspices of that American Jewish Publication
Society which preceded the present organization bearing the same name.
There must clearly be much significance in a work which has from time
to time aroused so much feeling. As a boy, I read it with mingled
delight and consternation. Even then, unconsciously, I must have had a
premonition of its inner meaning. I promised above to sum up its import
in a sentence, and I can do it. _Herzberg stands in line with Ahad
ha-‘Am._ The former does not give a Zionist turn to his exposition, nor
does he speak of a _Hebrew_ culture. But he is practically at the same
standpoint. Civilization for the Jew must be expressed in Jewish terms.
That is the real moral of Herzberg’s work. Now, as of old, I face such
an ideal with delight, but also with consternation. It gives us back
much we were in danger of losing, but it tends to take away from us
much that we had gained.
LONGFELLOW’S “JUDAS MACCABÆUS”
Whenever Handel’s melody falls on one’s ears, it is impossible to miss
the musical beauty of the chorus:
See the conquering hero comes,
Sound the trumpets, beat the drums.
Public-domain text, read in full here on John Shaqi.
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