Great Britain -- History -- Elizabeth, 1558-1603 -- Fiction
The Queen was plainly in high good-humour; and Mary got up and went into
the Queen's room. Those round the fire stood up and pushed the seats
back, and the games ceased in the third room; as her Grace needed
spectators and applause.
Then there arose the rippling of lutes from the ladies in the next room,
in slow swaying measure, with the gentle tap of a drum now and again; and
the _pavane_ began--a stately dignified dance; and among all the ladies
moved the great Queen herself, swaying and bending with much grace and
dignity. It was the strangest thing for Anthony to find himself here, a
raven among all these peacocks, and birds of paradise; and he wondered
at himself and at the strange humour of Providence, as he watched the
shimmer of the dresses and the sparkle of the shoes and jewels, and the
soft clouds of muslin and lace that shivered and rustled as the ladies
stepped; the firelight shone through the wide doorway on this glowing
movement, and groups of candles in sconces within the room increased and
steadied the soft intensity of the light. The soft tingling instruments,
with the slow tap-tap marking the measure like a step, seemed a
translation into chord and melody of this stately tender exercise. And so
this glorious flower-bed, loaded too with a wealth of essences in the
dresses and the sweet-washed gloves, swayed under the wind of the music,
bending and rising together in slow waves and ripples. Then it ceased;
and the silence was broken by a quick storm of applause; while the
dancers waited for the lutes. Then all the instruments broke out together
in quick triple time; the stringed instruments supplying a hasty
throbbing accompaniment, while the shrill flutes began to whistle and the
drums to gallop;--there was yet a pause in the dance, till the Queen made
the first movement;--and then the whole whirled off on the wings of a
_coranto_.
It was bewildering to Anthony, who had never even dreamed of such a dance
before. He watched first the lower line of the shoes; and the whole
floor, in reality above, and in the mirror of the polished boards below,
seemed scintillating in lines of diamond light; the heavy underskirts of
brocade, puffed satin, and cloth of gold, with glimpses of foamy lace
beneath, whirled and tossed above these flashing vibrations. Then he
looked at the higher strata, and there was a tossing sea of faces and
white throats, borne up as it seemed--now revealed, now hidden--on clouds
of undulating muslin and lace, with sparkles of precious stones set in
ruff and wings and on high piled hair.
Public-domain text, read in full here on John Shaqi.
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