"Ah! but he must have suspected it long ago,"--she pointed towards the
statue--"when he began that."
"I don't understand," Fane said. "What can that marble have to do with
his health or illness?"
"When we first began to love each other," she said, "he began to work on
that. It was to be his marriage gift to me, my guardian angel. He told
me he would put all his soul into it, and that sometimes he fancied, if
he died before me, his soul would really enter into that statue and
watch over and guard me. 'A Silent Guardian' he has always called it.
He must have known."
"I do not think so," Fane said. "It was impossible he should."
The girl stood up. The tears were running over her face now. She turned
towards the statue.
"And he will be cold--cold like that!" she cried in a heart-breaking
voice. "His eyes will be blind and his hands nerveless, and his voice
silent."
She suddenly swayed and fainted into Fane's arms. He held her a moment;
and when he laid her down, a reluctance to let the slim form, lifeless
though it was, slip out of his grasp, came upon him. He remembered the
previous day, the doomed man going down the street--his thought as he
looked from the window of his consulting-room, "I am sorry that man is
going to die."
Now, as he leant over the white girl, he whispered, forming the very
words with his lips, "I am not sorry."
And the statue seemed to bend and to listen.
III
Six weeks passed away. Winter was deepening. Through the gloom and fog
that shrouded London, Christmas approached, wrapped in seasonable snow.
The dying man had finished his work, and a strange peace stole over
him. Now, when he suffered, when his body shivered and tried to shrink
away, as if it felt the cold hands of death laid upon it, he looked at
the completed statue, and found he could still feel joy. There had
always been in his highly-strung, sensitive nature an element, so
fantastic that he had ever striven to conceal it, of romance; and in his
mind, affected by constant pain, by many sleepless nights, grew the
curious idea that his life, as it ebbed away from him, entered into his
creation. As he became feeble, he imagined that the man he had formed
towered above him in more God-like strength, that light flowed into the
sightless eyes, that the marble muscles were tense with vigour, that a
soul was born in the thing which had been soulless. The theory, held by
so many, of re-incarnation upon earth, took root in his mind, and he
came to believe that, at the moment of death, he would pass into his
work and live again, unconscious, it might be, of his former existence.
He loved the statue as one might love a breathing man; but he seldom
spoke of his fancies, even to Sydney.
Only, he sometimes said to her, pointing to his work:--
"You will never be alone, unprotected, while he is there."
And she tried to smile through the tears she could not always keep back.
Public-domain text, read in full here on John Shaqi.
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