He brooded incessantly over his developed but starved passion, over the
thought that Sydney chose to believe him a murderer. At first, when he
was trying day after day to see her, he clung to his love for her; but
when he found her obdurate, set upon wronging him in her thought, his
passion, verging towards despair, changed, and was coloured with hatred.
By degrees he came to dwell more upon the injury done to him by her
suspicion than upon his love of her, and then it was that a certain
wildness crept into his manner, and alarmed or puzzled those who
consulted him.
That his career was going to the dogs Fane understood, but he did not
care. The vision of Sydney was always before him. He was for ever
plotting and planning to be with her alone--against her will or not, it
was nothing to him. And when he was alone with her, what then?
He would know how to act.
It was just in the dawn of the spring season over London that further
inaction became insupportable to him. One evening, after a day of
listless inactivity spent in waiting for the patients who no longer came
in crowds to his door, he put on his hat and walked from Mayfair to
Kensington, vaguely, yet with intention. He looked calm, even absent;
but he was a desperate man. All fear of what the world thinks or says,
all consideration of outward circumstances and their relation to worldly
happiness, had died within him. He was entirely abstracted and
self-centred.
He reached the broad thoroughfare of Ilbury Road, with its line of
artistic red houses, detached and standing in their gardens. The
darkness was falling as he turned into it and began to walk up and down
opposite the house with the big studio in which he was once a welcome
visitor. There was a light in one of the bedroom windows and in the
hall, and presently, as Fane watched, a brougham drove up to the door.
It waited a few moments before the house, then some one entered the
carriage. The door was banged; the horse moved on. Through the windows
Fane saw a woman's face, pale, against the pane. It was the face of
Sydney. For a moment he thought he would call to the coachman to stop.
Then he restrained himself, and again walked up and down, waiting. She
must return presently. He would speak to her as she was getting out of
the carriage. He would force her to receive him.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account