The nearest village to these remains, though at some distance upon the hills, is _Sairi_, hence the place is named _Sook Sairi_, from the circumstance of a "market" of cattle and general goods being held there periodically for the district around. But why should this spot above all others in the long-deserted plain be used for such a market? Is it not a traditional continuance of some remote custom in connexion with the importance conferred by the ancient temple and its now-forgotten worship? Who can tell us through how many ages this rural fair has been held at Sairi or Adloon? The peasant account of the stones is that they were formerly men, whom God, or a prophet in His name, turned into stones for their wickedness, while they were employed in reaping a harvest; further my informant could not tell. The narrative closely resembled the explanation given me by country people in England respecting some almost similar stones at Long-Compton, on the border between Oxfordshire and Warwickshire; and I think I remember to have read of similar instances in other parts of England. Vandevelde was told that this miracle was wrought by Nebi Zer, (whose weli is in the neighbourhood,) and that this prophet Zer was nephew to Joshua, the son of Nun,--_i.e._, if he understood his interpreter aright. I cannot well leave that vicinity without mentioning the long lines of sepulchres excavated in the cliff-line which runs parallel to the sea, eastwards of the highway, and upon the crest of which line Sarafend and other villages are posted. These sepulchres have been noticed by travellers generally, even while merely passing along without leaving the beaten track, others have taken the trouble to visit them, but without finding any inscriptions. I have seen one inscription, the following in Greek, and apparently unfinished:-- [Greek text] Although in some respects these resemble the sepulchres near Jerusalem, they are not so elaborately formed into passages and inner chambers as the latter. Many of the excavations high above the ground have been at some era adapted to residences for hermits. Near Saida I have been shown sepulchres that were entered by steps and passages, and coated with very hard stucco, on which were pictures in fresco of festoons of olive and vine leaves alternated, these leaves being diversified sometimes with tints of autumnal brown, also trees of palm or olive, with birds upon their branches; the birds being all of one kind, with long tails, and coloured bright yellow and red, with brown backs. Inasmuch as these portray living creatures they must be ascribed to some classical, _i.e._, ante-Islamitic epoch. The designing and colouring of them are excellent, and the work remains in good preservation; they are most likely of Roman art, for their style much resembles the wall pictures of Pompeii.