The use of the mystical symbols of death (putrefaction) and resurrection or rebirth to represent the consummation of the alchemical work, and that of the phallic symbols of the conjunction of the sexes and the development of the foetus, both of which we have found in the _Turba_, are current throughout the course of Latin alchemy. In _The Chymical Marriage of Christian Rosencreutz_, that extraordinary document of what is called "Rosicrucianism"--a symbolic romance of considerable ability, whoever its author was,(1)--an attempt is made to weld the two sets of symbols--the one of marriage, the other of death and resurrection unto glory--into one allegorical narrative; and it is to this fusion of seemingly disparate concepts that much of its fantasticality is due. Yet the concepts are not really disparate; for not only is the second birth like unto the first, and not only is the resurrection unto glory described as the Bridal Feast of the Lamb, but marriage is, in a manner, a form of death and rebirth. To justify this in a crude sense, I might say that, from the male standpoint at least, it is a giving of the life-substance to the beloved that life may be born anew and increase. But in a deeper sense it is, or rather should be, as an ideal, a mutual sacrifice of self for each other's good--a death of the self that it may arise with an enriched personality. (1) See Mr WAITE'S _The Real History of the Rosicrucians_ (1887) for translation and discussion as to origin and significance. The work was first published (in German) at Strassburg in 1616.