If there be one spot within the bounds of London that may be especially
termed classic—which may be looked upon as sacred to poetry—that spot
is Southwark, despite its hop warehouses, in the midst of which stood
the Tabard. The legend of the ferryman's daughter and the foundation of
the monastery and church of St. Mary Overies is redolent of romance.
In Clink Street, Shakespeare lived and wrote, and in the theatre on
Bankside he gave utterance to his inspired imaginings; in St. Saviour's
Church sleeps Gower, the contemporary of Chaucer; and in one grave
repose Fletcher and Massinger; whilst on Bankside, in twin fraternity,
dwelt Beaumont and Fletcher.
More than to others should this spot and the Tabard be dear to the
citizens of London, for he to whose shrine pilgrims of the hostelry
were wending their way was the son of a London merchant; and he who
describes, and has rendered immortal, that riding to Canterbury, in
April of the year of grace, 1383, was born within the walls of the City.
The Tabard owed its origin to the Abbey of Newere Mynstre, Winchester,
which was founded by King Alfred, and afterwards removed outside the
walls, when it assumed the name of Hyde Abbey, _temp._ Henry I. Alwyn,
the eighth abbot, was uncle to King Harold, and fought, with twelve
of his monks, under his standard at Hastings. In process of time the
Abbey waxed rich, and in 1307 the Abbot purchased a plot of land near
the palace of the Bishop of Winchester, and thereon, as Stow informs
us, "built a faire house for him and his train when he came to the
City to Parliament." At this spot was a convergence of roads from
the southern and western counties, from whence started eastward "The
Pilgrim's Road" to Canterbury, in consequence of which the Abbot built,
in close contiguity, a hostelry for the reception of pilgrims, where
they might repose until a sufficient number was gathered together to
proceed in company for protection from the dangers of the road. It
was built in the picturesque style of the period, with gables to the
street, cross timberings and latticed windows; in the interior was a
large courtyard, with balustraded galleries running round it, leading
to dormitories; and there was a "Pilgrims' Hall," a large room some
45 feet in length, with open fireplaces and long tables, at which the
pilgrims dined and supped during their sojourn. At the dissolution,
1538, it was sold, along with the Abbot's House, and is described as
"The Tabard of the Monastery of Hyde, and the Abbot's place, with the
stables and gardens belonging thereunto." Still, however, it retained
its character of an inn, and in the reign of Elizabeth was repaired
and partially rebuilt by "Master J. Preston." A view of it, as it then
appeared, is given in Urry's edition of Chaucer, 1721, representing it
in the old timbered and gabled style, with a beam stretching across the
road, from which the swinging and creaking sign was pendant, and on
Public-domain text, read in full here on John Shaqi.
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