Byzantine Churches in Constantinople: Their History and ArchitectureVan Millingen, Alexander
Philosophy
Byzantine Churches in Constantinople: Their History and Architecture
Van Millingen, Alexander
Architecture, Byzantine; Church architecture -- Turkey -- Istanbul; Church buildings -- Turkey -- Istanbul
In considering the original form of the church there is yet another
important point to be noted. It will be seen from the plan that at the
ground level the central area is not cruciform, but is rather an oblong
from east to west with large arches on the north and south sides. This
oblong is, however, reduced to a square at the dome level by arches
thrown across the east and west ends, and this, in conjunction with the
setting back of the dome arches already mentioned, produces a cruciform
plan at the springing level. The oblong character of the central area is
characteristic of the domed basilica and distinguishes this church from
S. Andrew or S. Mary Panachrantos. The employment of barrel vaults in
the ambulatory is also a point of resemblance to the domed basilica
type, though the cross groin is used on the angles.[246] In this feature
S. Mary Pammakaristos resembles S. Andrew and differs from S. Mary
Panachrantos. We are probably justified in restoring triple arcades in
all the three lower arches similar to the triple arcade which still
remains in S. Andrew. The present arches do not fit, and are evidently
later alterations for the purpose of gaining internal space as at the
Panachrantos.
The hexagonal piers between the ambulatory and the inner narthex are not
original, as is evident from the clumsy manner in which the vaulting
descends on to them. They are the remains of the old western external
wall of the church left over when it was pierced through, probably in
Turkish times, to include the narthex in the interior area of the
building. The piers between the ambulatory and the gallery on the north
side of the church also seem to be due to openings made for a similar
reason in the old northern wall of the church when that gallery was
added in Byzantine days. The dotted lines on the plan show the original
form of the piers and wall, as shown by the outline of the vault
springings above. The inner narthex is later than the central church and
is of inferior workmanship. The restored plan shows the probable form of
the church at that date. The outer narthex was added at a subsequent
period.
Public-domain text, read in full here on John Shaqi.
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