Byzantine Churches in Constantinople: Their History and ArchitectureVan Millingen, Alexander
Philosophy
Byzantine Churches in Constantinople: Their History and Architecture
Van Millingen, Alexander
Architecture, Byzantine; Church architecture -- Turkey -- Istanbul; Church buildings -- Turkey -- Istanbul
Some seven months after Manuel's death a strange spectacle was witnessed
at his tomb. His cousin, Andronicus Comnenus, the torment of his life
and one of the worst characters in Byzantine history, taking advantage
of the intrigues and disturbances which attended the minority of
Manuel's son and successor, Alexius II. Comnenus, left his place of
exile in Paphlagonia and appeared in Constantinople at the head of an
army, as though the champion of the young sovereign's cause. No sooner
had he reached the city than he proceeded to visit Manuel's tomb, to
show the regard he professed to feel for a relative and sovereign. At
the sight of the dark sarcophagus Andronicus gave way to the most
violent paroxysms of grief. So deep and prolonged, indeed, did his
distress seem, that his attendants implored him to control his feelings
and leave the sad spot. But the mourner protested that he could not quit
so hastily a place hallowed by such sacred and tender associations.
Moreover, he had not yet said all he had to tell the dead. Bending,
therefore, again over the grave, Andronicus continued to address the
deceased. The words were inaudible, but they seemed a fresh outpouring
of sorrow, and deeply affected many of the spectators, for, as the
mourner had not lived on the best terms with his imperial cousin, his
grief appeared to be the victory of a man's better nature. But those who
knew Andronicus well interpreted his conduct as the performance of a
consummate actor, and understood his whispers to mean curses and vows of
vengeance upon his dead and helpless relative. Events justified this
interpretation. For Andronicus ere long usurped the throne, murdered
Alexius, insulted his remains, ordered his head to be cut off, and cast
the mutilated corpse into the Sea of Marmora to the strains of
music.[378]
Public-domain text, read in full here on John Shaqi.
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