Byzantine Churches in Constantinople: Their History and ArchitectureVan Millingen, Alexander
Philosophy
Byzantine Churches in Constantinople: Their History and Architecture
Van Millingen, Alexander
Architecture, Byzantine; Church architecture -- Turkey -- Istanbul; Church buildings -- Turkey -- Istanbul
The original date on the gate also remains in spite of the attempt
to obliterate it.
SS. Sergius and Bacchus was one of the sanctuaries of the city to which
the emperor paid an annual visit in state.[105] Upon his arrival at the
church he proceeded to the gallery and lighted tapers at an oratory
which stood in the western part of the gallery, immediately above the
Royal Gates, or principal entrance to the church. He went next to the
chapel dedicated to the Theotokos, also in the gallery, and after
attending to his private devotions there, took his place in the
parakypticon ([Greek: en tô parakyptikô tou thysiastêriou)], at the
north-eastern or south-eastern end of the gallery, whence he could
overlook the bema and follow the public service at the altar.[106] In
due course the Communion elements were brought and administered to him
in the chapel of the Theotokos; he then retired to the metatorion (a
portion of the gallery screened off with curtains), while the members of
his suite also partook of the Communion in that chapel. At the close of
the service he and his guests partook of some light refreshments,
biscuits and wine, in a part of the gallery fitted up for that purpose,
and thereafter returned to the palace.
_Architectural Features_
In the description of the architectural features of the church and for
the plans and most of the illustrations in this chapter I am under deep
obligation to Mr. A. E. Henderson, F.S.A. The information gained from
him in my frequent visits to the church in his company, and from his
masterly article on the church which appeared in the _Builder_ of
January 1906, has been invaluable.
In design the church is an octagonal building roofed with a dome and
enclosed by a rectangle, with a narthex along the west side. This was a
favourite type of ecclesiastical architecture, and is seen also in
another church of the same period, San Vitale of Ravenna, in which
Justinian and Theodora were interested. There, however, the octagonal
interior is placed within an octagonal enclosure. The adoption of a
rectangular exterior in the Constantinopolitan sanctuary is a
characteristic Byzantine feature.[107] S. Vitale was founded in 526, a
year before SS. Sergius and Bacchus.
[Illustration: PLATE XIII.
(1) SS. SERGIUS AND BACCHUS. FROM THE SOUTH-EAST.
(2) SS. SERGIUS AND BACCHUS. IN THE GALLERY OVER THE NARTHEX.
_To face page 70._]
As an examination of the plan will show, the architect's design has not
been followed with strict accuracy, and the result is that both the
enclosing square and the interior octagon are very irregular figures.
Furthermore, the two portions of the building have not the same
orientation, so that the octagon stands askew within its rectangular
frame. How this lack of symmetry should be explained, whether due to
sloven work or the result of the effort to adapt the church to the lines
of the earlier church of SS. Peter and Paul, with which it was united,
is difficult to decide.
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