Cæsar's Column: A Story of the Twentieth CenturyDonnelly, Ignatius
Science
Cæsar's Column: A Story of the Twentieth Century
Donnelly, Ignatius
Dystopias -- Fiction; New York (N.Y.) -- Fiction; Science fiction; Social problems -- Fiction; Twentieth century -- Fiction
"There is, in one of the poorer portions of the city, a great music
hall, or 'variety theater,' as they call it, frequented by multitudes
of the middle and lower orders. It is arranged, indeed, like a huge
theater, but the audience are furnished with beer and pipes, and
little tables, all for an insignificant charge; and there they sit,
amid clouds of smoke, and enjoy the singing, dancing and acting upon
the stage. There are many of these places in the city, and I am
familiar with them all. They are the poor man's club and opera. Of
course, the performers are not of a high order of talent, and
generally not of a high order of morals; but occasionally singers or
actors of real merit and good character begin on these humble boards,
and afterwards rise to great heights in their professions.
"One night I wandered into the place I speak of, took a seat and
called for my clay pipe and pot of beer. I was paying little
attention to the performance on the stage, for it was worn threadbare
with me; but was studying the faces of the crowd around me, when
suddenly I was attracted by the sound of the sweetest voice I ever
heard. I turned to the stage, and there stood a young girl, but
little more than a child, holding her piece of music in her hand, and
singing, to the thrumming accompaniment of a wheezy piano, a sweet
old ballad. The girl was slight of frame and small, not more than
about five feet high. She was timid, for that was her first
appearance, as the play-bills stated; and the hand trembled that held
the music. I did not infer that she had had much training as a
musician; but the voice was the perfection of nature's workmanship;
and the singing was like the airy warbling of children in the happy
unconsciousness of the household, or the gushing music of birds
welcoming the red light of the dawning day while yet the dew and the
silence lie over all nature. A dead quiet had crept over the
astonished house; but at the close of the first stanza a thunderous
burst of applause broke forth that shook the whole building. It was
pleasant to see how the singer brightened into confidence, as a child
might, at the sound; the look of anxiety left the sweet face; the
eyes danced; the yellow curls shook with half-suppressed merriment;
and when the applause had subsided, and the thrumming of the old
piano began again, there was an abandon in the rush of lovely melody
which she poured forth, with delicate instinctive touches, fine
cadences and joyous, bird-like warblings, never dreamed of by the
composer of the old tune. The vast audience was completely carried
away. The voice entered into their slumbering hearts like a
revelation, and walked about in them like a singing spirit in halls
of light. They rose to their feet; hats were flung in the air; a
shower of silver pieces, and even some of gold--a veritable Danaë
shower--fell all around the singer, while the shouting and clapping
of hands were deafening. The _debutante_ was a success. The singer
Public-domain text, read in full here on John Shaqi.
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