Cæsar's Column: A Story of the Twentieth CenturyDonnelly, Ignatius
Science
Cæsar's Column: A Story of the Twentieth Century
Donnelly, Ignatius
Dystopias -- Fiction; New York (N.Y.) -- Fiction; Science fiction; Social problems -- Fiction; Twentieth century -- Fiction
"There was no person in the building of the name of 'Carson,' but in
the garret I had described a man resided named 'Carl Jansen,' a Swede
by birth, a blacksmith by trade, and a very honest, worthy man and
good workman, but excessively poor. He had lived for some years in
New York; he had a large family of children; his wife took in
washing, and thus helped to fill the many greedy little mouths; the
oldest girl was named Christina; she was seventeen years of age; she
had attended the public schools, and of late years had worked at
embroidery, her earnings going into the common stock. She was a good,
amiable girl, and highly spoken of by every one who knew her. She had
attended Sunday school, and there it had been discovered that she
possessed a remarkably fine voice, and she had been placed in the
choir; and, after a time, at the suggestion of some of the teachers,
her mother had taken her to the manager of the variety hall, who was
so pleased with her singing that he gave her a chance to appear on
the boards of his theater. She had made her _début_ last night, and
the whole tenement-house, and, in fact, the whole alley and
neighboring streets, were talking that morning of her great success;
and, strange to say, they all rejoiced in the brightening fortunes of
the poor family.
"'Then,' I said to myself, 'Carlson was merely a stage name, probably
suggested by the manager of the variety show.'
"I determined to find out more about the pretty Christina."
CHAPTER XXIV.
MAX'S STORY CONTINUED--THE JOURNEYMAN PRINTER
"You may be sure that that night the public took the variety theater
by storm; every seat was filled; the very aisles were crowded with
men standing; the beer flowed in streams and the tobacco-smoke rose
in clouds; the establishment was doing a splendid business. Christina
was down on the bills for three solos. Each one was a triumph--encore
followed encore--and when the performance closed the little singer
was called before the curtain and another Danaë shower of silver and
gold, and some bouquets, fell around her. When I went behind the
scenes I found the happy girl surrounded by even a larger circle of
admirers than the night before, each one sounding her praises. I
called the manager aside. He knew me well as a rich young
spendthrift. I said to him:
"'How much a week do you pay Christina?'
"'I promised her,' said he, 'five dollars a week; but,' and here he
looked at me suspiciously, 'I have determined to double it. I shall
pay her ten.'
"'That is not enough,' I said; 'you will find in her a gold mine. You
must pay her fifty.'
"'My dear sir,' he said, 'I cannot afford it. I really cannot.'
"'Well,' said 'I will speak to Jobson [a rival in business]; he will
pay her a hundred. I saw him here to-night. He has already heard of
her.'
Public-domain text, read in full here on John Shaqi.
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