Cæsar's Column: A Story of the Twentieth CenturyDonnelly, Ignatius
Science
Cæsar's Column: A Story of the Twentieth Century
Donnelly, Ignatius
Dystopias -- Fiction; New York (N.Y.) -- Fiction; Science fiction; Social problems -- Fiction; Twentieth century -- Fiction
"One morning, I was called down stairs by Mrs. Jansen; it was three
or four days after the assault had been made on Christina. There I
found the chief of police of that department. He said it had become
necessary, in the course of the legal proceedings, that Brederhagan
should be identified by Christina as her assailant. The doctor had
reported that there was now no danger of her death; and the family of
the little rascal desired to get him out on bail. I told him I would
confer with the physician, when he called, as to whether Christina
could stand the excitement of such an interview, and I would notify
him. He thanked me and took his leave. That day I spoke upon the
subject to Dr. Hemnip, and he thought that Christina had so far
recovered her strength that she might see the prisoner the day after
the next. At the same time he cautioned her not to become nervous or
excited, and not to attempt to speak. She was simply to write 'Yes'
on her tablet, in answer to the question asked her by the police. The
interview was to be as brief as possible. I communicated with the
chief of police, as I had promised, giving him these details, and
fixed an hour for him to call."
CHAPTER XXVI.
MAX'S STORY CONTINUED--THE WIDOW AND HER SON
"The next day, about ten in the morning, I went out to procure some
medicine for Christina. I was gone but a few minutes, and on my
return, as I mounted the stairs, I was surprised to hear a strange
voice in the sick-room. I entered and was introduced by Mrs. Jansen
to 'Mrs. Brederhagan,' the rich widow, the mother of the little
wretch who had assaulted Christina. She was a large, florid woman,
extravagantly dressed, with one of those shallow, unsympathetic
voices which betoken a small and flippant soul. Her lawyers had told
her that Nathan would probably be sent to prison for a term of years;
and so she had come to see if she could not beg his victim to spare
him. She played her part well. She got down on her knees by the
bedside in all her silks and furbelows, and seized Christina's hand
and wept; and told of her own desolate state as a widow--drawing,
incidentally, a picture of the virtues of her deceased husband, which
he himself--good man--would not have recognized in this world or any
other. And then she descanted on the kind heart of her poor boy, and
how he had been led off by bad company, etc., etc. Christina listened
with an intent look to all this story; but she flushed when the widow
proceeded to say how deeply her son loved her, Christina, and that it
was his love for her that had caused him to commit his desperate act;
and she actually said that, although Christina was but a poor singer,
with no blood worth speaking of, in comparison with her own
illustrious long line of nobodies, yet she brought Christina an offer
from her son--sanctioned by her own approval--that he would--if she
would spare him from imprisonment and his family from disgrace--marry
Public-domain text, read in full here on John Shaqi.
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