New York (N.Y.) -- Social life and customs -- Fiction; Short stories
“Jove!” he exclaimed, “but wouldn’t that stir up a row in town if you
let it be seen. How in the world did you get it, Billy?”
“You know that high wall around the president man’s back garden? I was
up there trying to get a bird’s-eye of the town. I happened to notice a
chink in the wall where a stone and a lot of plaster had slid out.
Thinks I, I’ll take a peep through to see how Mr. President’s cabbages
are growing. The first thing I saw was him and this Sir Englishman
sitting at a little table about twenty feet away. They had the table
all spread over with documents, and they were hobnobbing over them as
thick as two pirates. ’Twas a nice corner of the garden, all private
and shady with palms and orange trees, and they had a pail of champagne
set by handy in the grass. I knew then was the time for me to make my
big hit in Art. So I raised the machine up to the crack, and pressed
the button. Just as I did so them old boys shook hands on the deal—you
see they took that way in the picture.”
Keogh put on his coat and hat.
“What are you going to do with it?” asked White.
“Me,” said Keogh in a hurt tone, “why, I’m going to tie a pink ribbon
to it and hang it on the what-not, of course. I’m surprised at you. But
while I’m out you just try to figure out what ginger-cake potentate
would be most likely to want to buy this work of art for his private
collection—just to keep it out of circulation.”
The sunset was reddening the tops of the cocoanut palms when Billy
Keogh came back from Casa Morena. He nodded to the artist’s questioning
gaze; and lay down on a cot with his hands under the back of his head.
“I saw him. He paid the money like a little man. They didn’t want to
let me in at first. I told ’em it was important. Yes, that president
man is on the plenty-able list. He’s got a beautiful business system
about the way he uses his brains. All I had to do was to hold up the
photograph so he could see it, and name the price. He just smiled, and
walked over to a safe and got the cash. Twenty one-thousand-dollar
brand-new United States Treasury notes he laid on the table, like I’d
pay out a dollar and a quarter. Fine notes, too—they crackled with a
sound like burning the brush off a ten-acre lot.”
“Let’s try the feel of one,” said White, curiously. “I never saw a
thousand-dollar bill.” Keogh did not immediately respond.
“Carry,” he said, in an absent-minded way, “you think a heap of your
art, don’t you?”
“More,” said White, frankly, “than has been for the financial good of
myself and my friends.”
Public-domain text, read in full here on John Shaqi.
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