New York (N.Y.) -- Social life and customs -- Fiction; Short stories
One day Dicky saw Pasa, the daughter of Madama Ortiz, sitting in the
side-door of the Hotel de los Estranjeros. He stopped in his tracks,
still, for the first time in Coralio; and then he sped, swift as a
deer, to find Vasquez, a gilded native youth, to present him.
The young men had named Pasa “_La Santita Naranjadita_.” _Naranjadita_
is a Spanish word for a certain colour that you must go to more trouble
to describe in English. By saying “The little saint, tinted the most
beautiful-delicate-slightly-orange-golden,” you will approximate the
description of Madama Ortiz’s daughter.
La Madama Ortiz sold rum in addition to other liquors. Now, you must
know that the rum expiates whatever opprobrium attends upon the other
commodities. For rum-making, mind you, is a government monopoly; and to
keep a government dispensary assures respectability if not preëminence.
Moreover, the saddest of precisians could find no fault with the
conduct of the shop. Customers drank there in the lowest of spirits and
fearsomely, as in the shadow of the dead; for Madama’s ancient and
vaunted lineage counteracted even the rum’s behest to be merry. For,
was she not of the Iglesias, who landed with Pizarro? And had not her
deceased husband been _comisionado de caminos y puentes_ for the
district?
In the evenings Pasa sat by the window in the room next to the one
where they drank, and strummed dreamily upon her guitar. And then, by
twos and threes, would come visiting young caballeros and occupy the
prim line of chairs set against the wall of this room. They were there
to besiege the heart of “_La Santita_.” Their method (which is not
proof against intelligent competition) consisted of expanding the
chest, looking valorous, and consuming a gross or two of cigarettes.
Even saints delicately oranged prefer to be wooed differently.
Doña Pasa would tide over the vast chasms of nicotinized silence with
music from her guitar, while she wondered if the romances she had read
about gallant and more—more contiguous cavaliers were all lies. At
somewhat regular intervals Madama would glide in from the dispensary
with a sort of drought-suggesting gleam in her eye, and there would be
a rustling of stiffly-starched white trousers as one of the caballeros
would propose an adjournment to the bar.
That Dicky Maloney would, sooner or later, explore this field was a
thing to be foreseen. There were few doors in Coralio into which his
red head had not been poked.
In an incredibly short space of time after his first sight of her he
was there, seated close beside her rocking chair. There were no
back-against-the-wall poses in Dicky’s theory of wooing. His plan of
subjection was an attack at close range. To carry the fortress with one
concentrated, ardent, eloquent, irresistible _escalade_—that was
Dicky’s way.
Public-domain text, read in full here on John Shaqi.
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