New York (N.Y.) -- Social life and customs -- Fiction; Short stories
The Swiss band led the line of march. After it pranced the local
_comandante_, mounted, and a detachment of his troops. Next came a
carriage with four members of the cabinet, conspicuous among them the
Minister of War, old General Pilar, with his white moustache and his
soldierly bearing. Then the president’s vehicle, containing also the
Ministers of Finance and State; and surrounded by Captain Cruz’s light
horse formed in a close double file of fours. Following them, the rest
of the officials of state, the judges and distinguished military and
social ornaments of public and private life.
As the band struck up, and the movement began, like a bird of ill-omen
the _Valhalla_, the swiftest steamship of the Vesuvius line, glided
into the harbour in plain view of the president and his train. Of
course, there was nothing menacing about its arrival—a business firm
does not go to war with a nation—but it reminded Señor Espirition and
others in those carriages that the Vesuvius Fruit Company was
undoubtedly carrying something up its sleeve for them.
By the time the van of the procession had reached the government
building, Captain Cronin, of the _Valhalla_, and Mr. Vincenti, member
of the Vesuvius Company, had landed and were pushing their way, bluff,
hearty and nonchalant, through the crowd on the narrow sidewalk. Clad
in white linen, big, debonair, with an air of good-humoured authority,
they made conspicuous figures among the dark mass of unimposing
Anchurians, as they penetrated to within a few yards of the steps of
the Casa Morena. Looking easily above the heads of the crowd, they
perceived another that towered above the undersized natives. It was the
fiery poll of Dicky Maloney against the wall close by the lower step;
and his broad, seductive grin showed that he recognized their presence.
Dicky had attired himself becomingly for the festive occasion in a
well-fitting black suit. Pasa was close by his side, her head covered
with the ubiquitous black mantilla.
Mr. Vincenti looked at her attentively.
“Botticelli’s Madonna,” he remarked, gravely. “I wonder when she got
into the game. I don’t like his getting tangled with the women. I hoped
he would keep away from them.”
Captain Cronin’s laugh almost drew attention from the parade.
“With that head of hair! Keep away from the women! And a Maloney!
Hasn’t he got a license? But, nonsense aside, what do you think of the
prospects? It’s a species of filibustering out of my line.”
Vincenti glanced again at Dicky’s head and smiled.
“_Rouge et noir_,” he said. “There you have it. Make your play,
gentlemen. Our money is on the red.”
“The lad’s game,” said Cronin, with a commending look at the tall, easy
figure by the steps. “But ’tis all like fly-by-night theatricals to me.
The talk’s bigger than the stage; there’s a smell of gasoline in the
air, and they’re their own audience and scene-shifters.”
Public-domain text, read in full here on John Shaqi.
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