Then quite suddenly a wholly unexpected sound pursued Bud and halted him
in the trail; the high, insistent howl of a child that has been denied
its dearest desire of the moment. Bud looked back inquiringly. The squaw
was hurrying on, and but for the straightness of the trail just there,
her fat old canvas-wrapped legs would have carried her speedily out of
sight. Of course, papooses did yell once in awhile, Bud supposed, though
he did not remember ever hearing one howl like that on the trail. But
what made the squaw in such a deuce of a hurry all at once?
Bud's theory of her kind was simple enough: If they fled from you, it
was because they had stolen something and were afraid you would catch
them at it. He swung around forthwith in the trail and went after
her--whereat she waddled faster through the snow like a frightened duck.
“Hey! You come back here a minute! What's all the rush?” Bud's voice and
his long legs pursued, and presently he overtook her and halted her by
the simple expedient of grasping her shoulder firmly. The high-keyed
howling ceased as suddenly as it had begun, and Bud, peering under
the rolled edge of the red stocking cap, felt his jaw go slack with
surprise.
The baby was smiling at him delightedly, with a quirk of the lips and
a twinkle lodged deep somewhere in its eyes. It worked one hand free of
its odorous wrappings, spread four fat fingers wide apart over one eye,
and chirped, “Pik-k?” and chuckled infectiously deep in its throat.
Bud gulped and stared and felt a warm rush of blood from his heart up
into his head. A white baby, with eyes that laughed, and quirky red lips
that laughed with the eyes, and a chuckling voice like that, riding on
the back of that old squaw, struck him dumb with astonishment.
“Good glory!” he blurted, as though the words had been jolted from him
by the shock. Where-upon the baby reached out its hand to him and said
haltingly, as though its lips had not yet grown really familiar with the
words:
“Take--Uvin--Chal!”
The squaw tried to jerk away, and Bud gave her a jerk to let her know
who was boss. “Say, where'd you git that kid?” he demanded aggressively.
She moved her wrapped feet uneasily in the snow, flickered a filmy,
black eyed glance at Bud's uncompromising face, and waved a dirty paw
vaguely in a wide sweep that would have kept a compass needle revolving
if it tried to follow and was not calculated to be particularly
enlightening.
“Lo-ong ways,” she crooned, and her voice was the first attractive thing
Bud had discovered about her. It was pure melody, soft and pensive as
the cooing of a wood dove.
“Who belongs to it?” Bud was plainly suspicious. The shake of the
squaw's bandannaed head was more artfully vague than her gesture. “Don'
know--modder die--fadder die--ketchum long ways--off.”
Public-domain text, read in full here on John Shaqi.
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