Cabinet Portrait Gallery of British Worthies. Volume IAnonymous
History
Cabinet Portrait Gallery of British Worthies. Volume I
Anonymous
Great Britain -- Biography
Sixteen or seventeen years more elapse, and the iron-willed sovereign
bends beneath a fiat even more potent than his own, and in deep
humiliation feels that he is utterly defeated; about the same time the
poet is receiving from the lips of an illustrious contemporary an
addition to the materials for the work that is to form the culminating
point of his life and fame, the last of a long series of productions
destined to be as permanent as the language itself which they have done
so much to create, the 'Comedy,' in short, of which he has so long
dreamed;--he is hearing from Petrarch the exquisitely pathetic story of
Griselda. Edward dies in 1377, a broken-hearted man; deserted, even on
his palace-hearth, at the last hour, by those he had fed and clothed and
honoured; he who would have conquered France cannot even now command the
presence of a single lackey: when Chaucer dies, it is amidst the
profound regrets of all who knew him personally or through his works;
and as he goes "home" and takes his "wages," it is with the conviction
that he has indeed done his "worldly task," in the foundation of what,
all things considered, it is no national vanity to call the mightiest of
Literatures. The parallel we have thus ventured to draw does not even
end here. Whilst we still drink refreshing draughts from Chaucer's "well
of English undefiled," and wonder to see how little of essentially
differing qualities his greatest successors have infused into the
national literature, the only effect, if there be any one now
perceptible, of Edward's unjust attempt, or of his brilliant victories,
is in the unhappy jealousy which these and similar events have left in
the minds of the people who most suffered from them. Truly if the sword
in its day is honoured at the expense of the pen, the pen in the long
run repays itself with sweeping interest. We have said nothing in these
remarks of the connexion between the two personages whose respective
undertakings we have placed in juxtaposition with each other, but that
connexion is not the least interesting or least important portion of the
biography of either: we do not know whether Edward intentionally
forwarded Chaucer's poetical undertakings, but it is clear that by his
patronage they _were_ forwarded--and greatly; whilst Chaucer, on the
other hand, was one of the most trusted and valued of the king's
servants; promoting Edward's views by his personal services in the field
as a soldier, and still more influentially by his experience and wisdom
in the cabinet as a diplomatist.
Public-domain text, read in full here on John Shaqi.
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