Cabinet Portrait Gallery of British Worthies. Volume IAnonymous
History
Cabinet Portrait Gallery of British Worthies. Volume I
Anonymous
Great Britain -- Biography
If we need any other evidence of the correctness of the idea that this
poem records the poet's own feelings and position, and the position of
the lady loved by him, we have only to inquire who it was that is known
to have inspired such sentiments in his breast. She was the daughter of
Sir Payne Roet, Guienne, king-of-arms, who is supposed to have come over
from Hainault with Queen Philippa, after whom she may have been named,
and in whose service she remained up to the day of the queen's death.
This lady therefore was a member, and, as we know, a highly favoured
one, of the household of the wife of John of Gaunt's brother. But the
connexion may be traced still closer. Philippa Roet's sister Katherine,
widow of Sir Hugh Swynford, was in the household of the duchess Blanche
herself, the queen of Chaucer's dream, and it was that Katherine whom
the great duke, later in life, married.
And what did the lady say, on the receipt of this poem, so exquisitely
contrived and carried out? We know not, but may guess from subsequent
circumstances that it was not very unfavourable. Suddenly, however, the
sound of war rouses the lovers from all such dreamy delights. Edward,
like a losing gamester, growing only the more desperate, is fitting out
a new army for the conquest of France. The poet must accompany him. It
is Chaucer's first military expedition. We must for a while forget the
poet in the soldier.
Our knowledge of this important incident in the poet's career is derived
from the deposition before mentioned, and forms the chief value of that
document. Though delivered, therefore, many years subsequent to the
period in question, we may here fitly transcribe it. Chaucer, among a
host of other witnesses, was called by Richard, Lord Scrope, to bear
testimony to his right to certain arms, in opposition to a similar claim
on the part of Sir Robert Grosvenor.
Public-domain text, read in full here on John Shaqi.
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