Cadets of Gascony: Two stories of old FranceStevenson, Burton Egbert
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Cadets of Gascony: Two stories of old France
Stevenson, Burton Egbert
Gascony (France) -- Fiction
Even as I grasped her hair, she raised the knife and plunged it deep
into the girl’s breast. I dragged back her head, dashed my fist into
her face and threw her against the wall with all my strength. She
struck with a dull crash, rebounded to the floor and lay there with
closed eyes, the blood oozing from her nose and mouth, her red knife
still in her hand.
“Pray heaven, I have killed you!” I said, and stooped and raised Ninon
in my arms.
She opened her eyes and gazed at me with a smile of ineffable
sweetness.
“It is better so,” she whispered. “I was not of your world, M. Pierre,
and now I shall not have to live when you are gone.”
The hot tears were on my cheeks as I looked at her, and she raised her
hand to my face with a gesture of tenderness inexpressible.
“Are those tears for me?” she asked. “Oh, how glad I am that you care
enough to weep! I am not sorry to die. I had never dreamed that I
should have the joy of dying in your arms like this, with your dear
eyes looking down upon me. And you will soon dry your tears, M. Pierre,
when you look upon another face more beautiful--oh, a thousand times
more beautiful than mine.”
I opened my mouth, but could not speak. I felt her body stiffening in
my arms.
“You told me,” she whispered, “that you loved her enough to die for
her, M. Pierre. But I love you more than that--oh, so much more than
that! I love you enough to give you to another, M. Pierre--to die that
she may possess you.”
She gazed at me a moment longer, then her eyes slowly closed, her lips
parted in a sigh that bore her spirit with it. I was sobbing wildly as
I laid the little form reverently upon the pallet in one corner and
turned to go. As I did so I fancied I saw Mère Fouchon move.
“So you are not dead,” I said, speaking aloud as though she could
hear me. “Well, you shall not escape,” and catching her by the arm,
I dragged her within the cell and shut the door. As I pushed it into
place, I saw that by swinging back two slabs of stone, the door was
masked, and the wall of the cellar was apparently unbroken. I trembled
as I thought what my fate would have been had Mère Fouchon thrown those
stones into place and gone away.
As I turned again into the outer room my eyes fell upon the bag which
she had placed on the table. I opened it and was astonished to find it
full of gold. I understood in a moment. It was the price Ribaut had
paid for Nanette.
“Come,” I said, “I will take this with me. It will be proof of my
story.”
I left the room and found myself at the foot of a flight of stairs
which led to a hallway above. Following this, I came to a room which I
recognized as that which I had entered sword in hand in pursuit of Mère
Fouchon. As I stepped into it, I heard some one knocking at the outer
door. I flung it open, and saw outside a man who shrank back in alarm
as his eyes fell upon me. A cart was standing in the street.
Public-domain text, read in full here on John Shaqi.
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