American fiction -- 20th century; Political fiction; Railroad stories; West (U.S.) -- Fiction
“That place is a regular nest of reformers, from the mayor down,”
commented Bourke. “And besides, Standish won a lot of votes by his
grand-stand scrap in the op’ra house there last month. It looks bad.”
“Most reform places do after they’ve tried a dose of their own medicine
for awhile,” answered Caleb. “But we’ve spent enough good dough there to
square the whole noble army of martyrs. I guess Grafton’s O. K.”
“Boss,” said Billy Shevlin, “you’re the only man in this whole shootin’
match what ain’t all hectic over this fight. An’ you’re the one man
who’s _It_ or out in th’ woolly white snow accordin’ to th’ way that
genial beast of prey th’ free an’ independent an’ otherwise bought-up
voters jumps. Ain’t you worried none?”
“What good’d that do? No use paying twice, if there’s anything to worry
about. And if there ain’t, what’s the use of wasting a lot of good
anxiety? Start my phonograph going.”
“Phonograph?” hotly protested Staatz. “At a time like this, when
everything hangs on the next half hour and——”
“Well,” drawled Caleb, and if his words were light, his steady eyes
fixed the district leader’s vexed gaze as a wasp might pierce an angry,
blundering bumblebee, “I don’t believe the voters of the Mountain
State’ll rise in arms to any extent and demand a new election and a new
Boss just because they hear I wanted a little music. I like the
phonograph. It’s the only musical instrument I ever had time to learn to
play. And it’s the only one that’ll play over the pieces I like as often
as I want to hear ’em, and won’t make me listen to a lot of opera
war-whoops in Dutch and Dago. But, say, Staatz, I’m not forcing other
folks to listen to it. If you’re not stuck on the way I amuse myself,
there ain’t nobody exactly imploring you to stay on here.”
Staatz, his red face redder than its wont, and his great gray mustache
abristle at the Railroader’s tone and look, nevertheless mumbled some
apology. But Caleb did not hear him out. He broke in on the words with a
curt nod, then said to Shevlin:
“Start it up, Billy. Any old tune’ll do. There’s none there but the kind
I like. Might try——”
Again the footman came in. This time not with coffee, but with a card.
“I thought I told Gaines I wasn’t to be broke in on this evening,” began
Conover, glowering at the intruder. “Say I can’t see anyone. I’m busy,
and——”
He had taken the card as he spoke. Now, as he read it, his order trailed
off into perplexed silence, even as Billy Shevlin, his face one big grin
at Staatz’s discomfiture, started the phonograph on the classic strains
of “Everybody Works but Father.”
“Turn off that measly racket!” roared Caleb. “Ain’t you got any better
sense than to go fooling with toys a time like this? I’ll be back in a
few minutes, boys. My New York lawyer wants me for something.”
He left the study and hurried downstairs to where, in the hall, a man
stood awaiting him.
Public-domain text, read in full here on John Shaqi.
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