American fiction -- 20th century; Political fiction; Railroad stories; West (U.S.) -- Fiction
Had the stranger been saying anything of import Caleb would have
missed no syllable. But, through long years of experience with the
dreary windiness and empty pothouse eloquence of politicians, the
Railroader had learned by instinct, and without waiting to catch so
much as the first word, whether anything worth hearing was being said,
or if the case were, as he was wont to express it, “an attack of
rush-of-words-to-the-mouth.” He had already placed his present
caller’s oration in the latter category. But her pause brought him
back to himself.
“Well?” he demanded.
“So I am here to implore you to be just, to be generous,” resumed the
girl, slightly raising the pitch of the scene as she approached a
climax. “I throw myself on your mercy. I, Enid Conover——”
“Enid Conover!” snorted the Railroader. “Why——”
“Yes. Enid Conover! How I have learned to love that name!”
“Have, hey? Then take my advice, young woman, and stifle that same wild
adoration for my poetic cognomen, for you aren’t going to have the
renting of it any longer’n I can help.”
“Not——?”
“Oh, you’ll get over it easy! Just as you got over your love for that
high-sounding title, Enid Montmorency. And just as, before that, when
you left your mother’s Germantown boarding-house, you got over any
passion you may have had for your original name, Emma Higgs. You see I
know some little about you. I took the trouble to have you looked up.
You and your family. You told Gerald your family’s old. From all I hear,
I guess the main difference between you and that same family is that
one’s older’n you make out and the other’s younger. Take your choice as
to which is which. And now——”
“You insult me!” declaimed the girl, her eyes flashing, her figure drawn
to the full height of a really excellent pose, her pompadour nestling
protectingly above the arched brow.
Public-domain text, read in full here on John Shaqi.
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