“When ye say she’s a-breakin’ her heart for me, Cap’n Joe, ye don’t
know it all.” His eyes looked up at the sky as he spoke. “'T ain’t
that I ain’t willin’ to take ’er back. I allus wanted to help her, an’
I allus wanted to take care of her,—not to have her take care o’ me.
I made up my mind this mornin’, when I see how folks was a-treatin’
'er, to ask ’er to come home. If I’d treat ’er right, they’d treat ’er
right; I know it. But I warn’t the man for her, an’ she don’t love me
now no more’n she did. That’s what hurts me an’ makes me afraid. Now
I’ll tell ye why I know she don’t love me; tell ye something ye don’t
know at all,”—he turned his head as he spoke, and looked the captain
full in the eyes, his voice shaking,—“an’ when I tell ye I want to
say I ain’t a-blamin’ her.” The words that followed came like the slow
ticking of a clock. “He’s—been—a-writin’—to ’er—ever since—she
left ’im. Bert Simmons—showed me the letters.”
“You found that out, did ye?” said Captain Joe, a sudden angry tremor
in his voice. “Ye’re right; he has! Been a-writin’ to her ever sence
she left him,—sometimes once a month, sometimes once a week, an’
lately about every day.”
Caleb raised his head. This last was news to him.
“And that ain’t all. Every one o’ them letters she’s brought to me,
jes’ ’s fast as she got ’em, an’ I locked ’em in my sea-chest along o’
the money ye gin her every week, an’ the money and letters are there
now. An’ there’s more to it yet. _There ain’t nary seal broke on any
one of Lacey’s._ Whoever’s been a-lyin’ to ye, Caleb, ain’t told ye
one half o’ what he ought to know.”
* * * * *
Captain Joe swung back his garden gate and walked quickly up the plank
walk, his big, burly body swaying as he moved. The house was dark,
except for a light in the kitchen window, and another in Betty’s room.
He saw Aunty Bell in a chair by the table, but he hurried by, on his
way upstairs, without a word. Caleb followed with slow and measured
step. When he reached the porch, Aunty Bell had left her seat and was
standing on the mat.
“Why, Caleb, be ye comin’ in too?” she said. “I’ll git supper for both
o’ ye. Guess ye’re tuckered out.”
“I don’t want no supper,” he answered gravely, without looking at her.
“I’ll go into the settin’-room an’ wait, if ye’ll let me.”
She opened the door silently for him, wondering if he was in one of
his moods. The only light in the room came from the street-lamp,
stenciling the vines on the drawn shades.
“I’ll fetch a light for ye, Caleb,” she said quietly, and turned
toward the kitchen. In the hall she paused, her knees shaking, a
prayer in her heart. Captain Joe and Betty were coming down the
stairs, Betty’s face hidden on his shoulder, her trembling fingers
clinging to his coat.
[Illustration: “Ain’t nothin’ to skeer ye, child”]
Public-domain text, read in full here on John Shaqi.
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